Sunday, April 6, 2025

"Significant Darkness" & What Available Light Might Lend - "I used books as a very real place to be" - Robert Creeley



Me, too.  Using "books as very real place to be." Here's Creeley, 

"I used books as a very real place to be. Not merely an escape from the world — the real difficulty was how to get into it, not away . . . "

Robert Creeley, mid-1980's at Naropa Instistute.  
Photo by Christopher Felver

Robert Creeley and the Genius of the Common American Place: Together With the Poet's Own "Autobiography" by Tom Clark . . . I believe this is the book I read online at archive . org, from which I screen grabbed this passage by poet Robert Creeley (click on this link):

https://archive.org/details/robertcreeleygen0000clar/page/1/mode/1up

I'll search the book and when I find the page number it is on I will update here.

>>>—<<<

for Valerie

American poet Robert Creeley's orientation above matches mine only I was born in the south, in South Carolina, in the early '50's, and woke up out of infant-swaddle waddled-then-toddled mist into the thrown world in the early 1960's also "complicated in many bitter ways", my innate, and daily confirmed, loathing of the south thusly drawing my conclusions about life and placement from and within the withered dug of that Christhaunted kudzu tangle of fuddlement and consternation - trapped, I found my "very real place" to be in books. And, perforce, stars. And star maps.  

My fated parents inner and outer worlds were, of course, a direct result of their conclusions drawn, as in drawing breath, from their presentiments/predicaments, palpable consequent miseries alone and together were the weather system in which I came to resent being rooted, preferring winged things or, better, stars, constellations as I've said above. Above for me, good. Bound still to unavoidable rhizome, me mulch, gulch, glitch hook and crook DNA twined or wound (woond-ed) un- or re- strung still I'm hounded by such as their dirt scar-drawn, mare and mars flung O O O Mercy Bayou O O O Mercy Railroad Georgia Lantern Rebel Swung, a grandfather I never knew and dusty on and on - too late to ask they who made me.

So I'm painting in broad strokes here. Daubed impressions snatched from stray talk from big people in an undiscerning child ear.

Call me Fish Tail - whale spout caul on my head . . .

 
Every revelation partook more of 
significant darkness than of explanatory light.
- Herman Melville, Moby Dick



. . . needed escape, found books, in them an effective way to get into (toe in the water in order to ambivalently "tetch") dubious life in the human world. No problem with the external world of nature, pond scum, snakes, poison ivy, suckling honey, bee sting, ticks, tire swing, green moss on red banks, wild irises, azaleas grown from rotted 1800's house overgrown by woods, skies on said pond scum kiting clouds on their way, me beating a tin can in deep Cherokee woods by arrowhead creek's secret place my meek could gladly inherit, could me infill the more - awed - I then intuited what a later teacher taught 

"that the sky has no intention to reflect the geese flying over it having no mind to reflect..."

But my mind was wreckt by then. The rest was to be, has been, still is - the reckoning -

"YO! Spare change?!  

Will reconnoiter for a quarter!"

Being introverted intuitive meant orientation via inner life and inner world. Already dwelling in eternity, my personality number 2 ** [see footnote below] - the work, the crucible, and the in-stasy (dare say "insanity or pert near but not plumb") - has been entry/exit/flick/lick-wound/recover into ex-ternity having found that personality number 1 (the child of parents, social world, fraternity, etc) is a sometimes thing, rare, at least for me. I clot along with difficulty somewhat hemophiliac to the Confessional, memory's tip top limbs of an old sycamore at the edge of my father's garden, from there a view north to mountains that promised that I would one day escape the present hill, that squat mountain - Roper - say 3 miles away, and find a splayed path through dogma and doctrine into a wash-gouache sky/sea somewhat doppler-ed Derain or Cezanne - no Hopper for me, destined to be opaque, or to dye scrying. Yet.  

Yet to come, come be, with the, my, final, this, flee north.


Not a plea.

Polaris my orientation.

And it's counter, the molten core contained/restrained.

Compressed. "Coagulatio," said my expensive shrink some years back, "is the goal."  

to which I always added, do still, "...and stain" aka

Carrion comfort for me, 8 piece chicken-fried life bucket  
With mashed tubers and gelatinous gravy. It serves.

I'll swan

and I'll slaw, 

slauson, not

stifle a

 Sycamore Trifle Song

Circumspect ago

this tree 

grows still 

a child's mind 

a bedroom window 


This house 

this window 

gone but for 

frames' crater 

now 

once was 

home memory's 

red dirt 


O stand radiant-starred late afternoon 

O stained stark shadows' black frieze 


astonished stooped man 

time's wee piss-boy 

damp bunk-bed mattress fears 


O stand glazed from edges 

gaze to bark 

vine maps of escape 


Iron shadows 

impress long into 

wet pit 


sun shards 

spy glass 

throat sore 


Cracked song for dirty boots



Painting by Aris Moore.

But the eternal V of wild geese I do see, reflect, neck sore looking high, no pond me, hand over brow to guard the glare of bright cloud beneath flaring sun...the V goes on in memory here encased by bricks between last century's World Wars (scars = history), present fire escapes not yet needed while I, irony of irony, 'scape on edge of iron escape above East 10th Street, frighten pigeons and doves, read Lord Buddha "on escaping desire...", how there's no exit, no transcending (though 5 stories above the compulsive street suggesting an end to the drives, Desire.

Desire - 'de' of/from, and 'sire' father

>

Turning Thighs To Diamonds 

Or what man is there among you, of whom if his son 
shall ask bread, will he reach him a stone? - Matthew 7: 9 

Once in a sycamore I was glad 
all at the top and I sang. - John Berryman from Dream Song One 


No blame shall stain us now, father. 

The heavy ball you hit to me is never caught, 
a floppy glove always falls from a hesitant hand. 
Mars in you still storms the makeshift diamond. 
Each base of cardboard weighted with stone 
is still our house; a bat, a ball, a mitt, 
hard rules of the game undo all lust 
for dark heaven shunning shining girls. 

I was reaching for god then - not your fault - a lavender 
boy early befriended by crows, already resigned to what 
was given and what was to come, a softball between the 
eyes, your attempt to guide me toward those diamond 
thighs which, you often repeated, were everywhere waiting. 
I blink still before you, head down, focused on Lion's Teeth.
I am your hard mystery, and soft, not so fast for I am fat 
and cannot round the bases quick. I am your inherited 
meek, a burden to shake into a sliding man furious for home. 

At four I pluck a wild strawberry you point to, 
all authority and accidental grace. Revealing much, 
still dew wet, sticky to the touch, opening sourness 
deserves my frown. You laugh at my dawning smile 
for its sweetness slowly yields a surprise gift 
for what will always unite us, your fear that I too 
will suffer your fate, untended desire gone to wildness 
brought low beneath branches, slow embrace of 
cradle-gentle boughs entangling legs and light 
between the greater shadows, 

and shadows shall win the day. 

Still, these essential things are caught 
for all our mostly wasted days of practice, 

wild sweetness is a stolen base, 

the tongue is an untended garden. 

There is a burning soft hands can know 
which shall finally run some headlong 
for home, an inherited circle at the end, 
a latter-day glad son gathering berries from shadows. 


**Dandelion


**

**Carl Jung wrote of his personality number 1 and number 2. Like Jung I valued "anything that wanted to come from within." The following is from:

https://www.theguardian.com/commentisfree/belief/2011/may/30/carl-jung-ego-self

"In short, his childhood was disturbed, and he developed a schizoid personality, becoming withdrawn and aloof. In fact, he came to think that he had two personalities, which he named No 1 and No 2.

No 1 was the child of his parents and times. No 2, though, was a timeless individual, "having no definable character at all – born, living, dead, everything in one, a total vision of life". (At school, his peers seem to have picked this up, as his nickname was "Father Abraham".)

Jung was perhaps not so unusual, as many children indulge similar internal fantasies. Where Jung differed was in taking his inner life seriously. "I have always tried to make room for anything that wanted to come from within," he noted. Later he renamed and generalised No 1 and No 2, calling them the ego and the self. Achieving the right balance between the two aspects of the psyche is central to his theory of personality development, called individuation."

Soundtrack to the above - The Long Road by Eddie Vedder and Nusrat fateh ali Kahn:


Presumed to have fledged - I cannot stay . . .



ASYNCHRONY 

which is a-synchrony, just to remind = 

absence or lack of concurrence in time 


no rhyme scheme or known

reason though presumptions 

occur in observation of patterns that 

such are the habits of nature to assist 

drawing conclusions which are surmises 

which are in the end and beginning 

always 'unhatched eggs' or, better, 

words as eggs 



(all praise) and what marvelous 

vapor is restive life (as are days)  

in thousand undulate congregations 

no need for falconer after all 

when Chaos a'daze of a Sunday 

evening seems to know something 


so falls into 


purple fields 


(O Low, remember)  


edged by sheer snow peaks where 

sheep surefeet know no fear of 

heights and there do dung and 

play fearless or at least pretending 

not to fall in their waking dream 


which is the thing - 


concavity curves 

in a dead hatchling's 

sparkless eye reflecting 

dead eggs' perfect 

forms soft brooded 

upon as one might 

brood one in hand 

pondering which is 

the better off the 

flown lone one or 

the ongoing nest 

knot which can also 

denote an egg - 

hatched or not or 

clotted everyly or 

otherwise - is all 

surmise who knows 

what is the thing 

joy's winged malingerers 

in sudden annunciate 

in sudden annunciate 

thunder 

entrance 


flash as flash 

can and (it, 

Awe) may last 

a long (a'wiley)  

if 

if 

memory 

serves 

is glad 

one's self 

to have 

hatched 

and fledged 

see what 

glory can 

be made 

and had 

at edges 

(earth's 

clearly domed 


the shape of 

eyes makes 

it so)  


and one knows or someday 

will in lighter or heavier bones 

scry the effort was/is made 

at all as self portraits which 

may or may not be the actual 

who whom we perceive as 

selves to be we (one 

feather 

at a time 


necessary 


dreaming 

of 

air) being adhered to dirt 

so verily molded by known 

and unknown forces within 

which we make 

or so we think 

choose 

but nevermind but 

no 

let us 

return to mumur to suck in 

sounds through and behind 

lips and be naturally moved 

bothered to somehow care 

which with heart we indeed 

do hard swallow at the 

superfluity of

alphabet flocks.



Thursday, April 3, 2025

"Still we call this Friday good" - "Only a God can still save us!" - "Amor Carnalis is our dwelling-place."

'Originally published 4/11/20 2:33 AM
All photos by Warren Falcon

Christ Crucified. A detail of a modern fresco of the Crucificion
Diocesan Museum of Sacred Art.  Bilbao, Spain

Miloz Zizek: "This brings us to the third position above and beyond the first two (the sovereign God, the finite God), that of a suffering God: not a triumphalist God who always wins at the end, although "his ways are mysterious," since he secretly pulls all the strings; not a God who exerts cold justice, since he is by definition always right; but a God who – like the suffering Christ on the Cross - is agonized, assumes the burden of suffering, in solidarity with the human misery. [1] It was already Schelling who wrote: "God is a life, not merely a being. But all life has a fate and is subject to suffering and becoming. /.../ Without the concept of a humanly suffering God /.../ all of history remains incomprehensible." [2] Why? Because God’s suffering implies that He is involved in history, affected by it, not just a transcendent Master pulling the strings from above: God’s suffering means that human history is not just a theater of shadows, but the place of the real struggle, the struggle in which the Absolute itself is involved and its fate is decided. This is the philosophical background of Dietrich Bonhoffer’s deep insight that, after shoah [Evil], "only a suffering God can help us now" [3] – a proper supplement to Heidegger’s "Only a God can still save us!" from his last interview. [4] One should therefore take the statement that "the unspeakable suffering of the six millions is also the voice of the suffering of God" [5] quite literally: the very excess of this suffering over any "normal" human measure makes it divine."
****
During Passover week, and today, again, on Good Friday, I just reread Zizek's surprising reinterpretation yet consolidation of an intuition early blinking in human consciousness, yielding slowly through aeons of dawning awareness, incremental, chronic, barely, yet significantly, yet not significantly enough collectively, that "only a Suffering God can save us." 

Lest "pomos" (post moderns) repel in reaction to the above, let them ponder the Buddha's Four Noble Truths, since his teaching is now more "the rage" in the West which, chief principle,- RAGE - being the bit(ter)coin of the day focus grouped for commercial success, alas, adulterates, if not undoes, the authentic facts revealed experientially in historical and present human history as well as that of creation itself, viz St. Paul's poetic utterance, that the "entire Creation, all creatures great and small, groan/yearn after its/their Originating Source/Force."
More simply, Thomas Merton's, "My heart yearns for its Referent."
This yearning, a love-sickness most mundane, and divine or, rather, within its mundanity divinity resides, in its hiding it, love, is present all the more. And as there is a "resent" in "p-resent" part of that love-sickness/suffering is resentment-at-absence. And eventually, rage. 
Suffering, indeed.
Zizek's essay is a Good Friday medtitation, for sure. An ongoing enigma, for sure. Zizek's not at all a Fundamentalist of any stripe or (un)kind. Thus the reason I was shocked, surprised, pleased, disturbed, moved when I first accidentally came upon this brief in my 2019 re-study (re as in REal study) of Hegel. 
Zizek's use of one of the last recordings by Johnny Cash, When the Man Comes Around, to amplify his thesis, is brilliant and utterly human, all too human. [See the link to Cash's performance in the comment section below this post].
Lastly -
Geoffrey Hill's, a bit, some verses from his "Tenebrae", perfect for a culture of gluttony verily toxically ungluton free and vastly bloated:
. . . .
O light of light, supreme delight;
grace on our lips to our disgrace.
Time roosts on all such golden wrists;
our leanness is our luxury.
. . . .
This is the ash-pit of the lily-fire,
this is the questioning at the long tables,
this is true marriage of the self-in-self,
this is a raging solitude of desire,
this is the chorus of obscene consent,
this is a single voice of purest praise.
. . . .
He wounds with ecstasy. All
the wounds are his own.
He wears the martyr’s crown.
He is the Lord of Misrule.
He is the Master of the Leaping Figures,
the motley factions.
Revelling in auguries
he is the Weeper of the Valedictions. 

Cathedral Repairs, Remote, Side Road, Gers. France

* * * *

 Johnny Cash, The Man Comes Around


**


A Grief Earned - An Ode Beginning & Ending With Lines From Shelley 

Here, on one fountain of a mourning mind, 

I have been taken up into grief, the strange 
relief of clouds. Soon departed, I shall be 
once again returned to disquieted prayer, 
the proud monk to his rites rejoined such 
are covers for disjointedness. 

Adroit is the spoiled self touching only 
late that of Other, of Beauty, Adonais 
'dead then' when Mr. Shelley, once young, 
now always, has clung 'moderne, as much 
as, as soon as he can deny, spurn, return 
a Vision 'toward the vital air.' 

*

He has the advantage of an Eastern detachment.

I, meanwhile, to walls stick, to
sheets, this cup, full, cannot release. 

I step, my foot remains to boards, 
stuck, must walk inwardly restrained, 

halt, try to, misstep, the usual tread 
of, with, my heart. 

*

With heart will I to Guatemala go, 
a Mayan lover do some good, me there,

to active  volcanoes, deepest lake there
with creatures strange - axelotls, pink, 

delicate, 

and one fountain send where I need 
to go - there, continually letting 

the hollows go, release the tread, 
following, and the after-flow; 

feeling grief's all,
I follow to where all is fled... 




Healing sanctuary of Chimayo, New Mexico
January 2, 2016