Monday, February 2, 2009

Fittingly Beside the Belfry -- Pere Bleubols Ponders Good & Evil In The New Age In Voices Severally



photo of the author is from Pissoirs Du Mal —Journal Des Les Moineaux (Urinals of Evil — Journal of the Sparrows), from the dust jacket, the blurb beneath it here:

"Ah! It is Beginning Fittingly Beside the Belfry, Priest shirt on, rakishly unbuttoned, God Maddened Pere Bleubols Ponders Good and Evil in the New Age Near the Virgin Blue Garbage Can, Refuse of God-Talk through the Ages O'reflowing Beside, and Betide, Les Rouge Fleurs du Mal...

He's swell. He's a pal to the mages. Nevermind his rages. Remind him to pack his socks and to tie his shoes.

The Quest? To Rescue Dante But Not To Redeem Him,
For THAT, Dear and Fellow Peregrinator, "He Must Do Himself."

[If you wish to read the section, Jung's "Cloud-Cuckoo-Land" in Context before what immediately follows below this then scroll down until you come to it. This section is where the Learning For Life Group newsletter article is taken. I hasten to say that the fictional/frictional dramatic dialogue content immediately after the dedication and epigrams below expresses my own contradictory and passionate views du jour and do not reflect the views of my colleagues of LFL Group. This blogspot format offers me a chance to express myself in many ways and what follows is one of them, more raw, less censored, and chasing, as always, my own tail, and perhaps a god tale, as earnestly and authentically as I can, imperfect as it all is and ever shall be.

I'd rate this on an ascending scale from low to high volume from 1 to 10 as a 10 on the "Rant-o-meter" so be forewarned. As my favorite philosophy professor at the Christian college often said, rather new to Christianity and not familiar with the linguistic tourettes required to truly be a member of the God's Own Club,

"If I sound bitter it's because I am."

B
ombaste.]


For Betsy Steele Halpern, Jungian analyst, who died April 3, 2008 :


My first analyst, she had much work cut out for her for I was "a lost fart in a thunderstorm" freshly tossed up from "the Christ-haunted landscape" of the American South. I should have bought her a necklace of pearls as a gift to her when I impatiently parted the analysis not realizing then that I had already started the Descent by heading off heedless, arrogant, headlong and as desperate as Rimbaud "to worship at any shrine impulses toward perfection." Thank you, Betsy, for releasing me to my fate "into the fluff" you called the New Age movement with your authentic blessing. I return to the beginning yet again, humbled, a sinner still, swilling away, an ass but more honestly so, bare assed and embarassed for the lint of the New Age fluff tenaciously, cloyingly clinging still to me bum. I clutch my January 25, 2008 dream of nakedness as I left the collapsed New Age altar having grabbed a Swiss beer stein called an alpenstein, translated, white stone ("white" (alpen) "stone" (stein)) from it as it crashed down with all its gods and symbols, gurus and priestesses in a wintery cold heap beneath the spiritual decay and rubble. En exilio yet again, I then and now seek 1) to get some clothes on departing the debris and, 2) to understand and honor the alspenstein-white stone with the help of Carl Jung and others, and begin the limping journey anew which you helped me launch in 1981 or 82. Here I go now more hunchbacked than ever, a gargoyle ledge-sitter " 'ponst my haunches" quoting King James verses for the love of the music and what was/is hinted therein them -- that Silence of God which makes me babble so.

"No, no, no, no! Come, let's away to prison:
We two alone will sing like birds i' the cage:
When thou dost ask me blessing, I'll kneel down,
And ask of thee forgiveness: so we'll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news; and we'll talk with them too,
Who loses and who wins; who's in, who's out;
And take upon's the mystery of things,
As if we were God's spies: and we'll wear out,
In a walled prison, packs and sects of great ones,
That ebb and flow by the moon." —King Lear, in King Lear by William Shakespeare


Selah.



*****


Now I've broken my ties with the world of red dust; 
I spend all my time wandering and read all I want.

Who will lend a dipper of water
to save a fish in a carriage rut? 
—Han Shan, Tang Dynasty, China


Pere Bleubols in deep evergreen  near
his hermitage, Le Cav de L'Autodactyl, somewhere in
 remote Adirondacks. August 2020


The universe is simplified since he summarized it as a rumor in an empty shell. —George Rodenbach re: the poet Stephan Mallarme


The journey from cloud-cuckoo-land to reality lasted a long time. In my case Pilgrims Progress consisted in my having to climb down a thousand ladders until I could reach out my hand to the little clod of earth that I am. —Carl Jung


The Indian goal is not moral perfection but the condition of nirvana. He wishes to free himself from nature. In keeping with this aim he seeks in meditation the condition of imagelessness and emptiness. I, on the other hand, wish to persist in a state of lively contemplation of nature and of psychic images. I want to be free neither from human beings nor from myself nor from nature for all these appear to me the greatest of miracles. —Carl Jung


Sir, to which sublime tradition do you belong?  a traditional greeting, in ancient times, for strangers coming upon each other at the border of Tibet and China;  quote related in a text by J. Marvin Spiegelman, Jungian analyst/writer


In my experience, God prefers what Jung has called the 'natural man' to be a vessel for His 'continuing incarnation' (Answer to Job, par. 746) -- the one who belches and farts and scratches his ass; who is 'a thing despised and rejected by men' (Isaiah 53:3); who is 'a daily laughingstock and the butt of everybody's jokes' (Jeremiah 20:7); who is 'married to a whore' (Hosea 1:2) and nothing more than a stinking goat-herd (Amos 1:1). That is, He prefers the guilty fools and ignoramuses of the world, like you and me, and not, in Jung's words, the 'guiltless ones' like Them -- the learned and the pious 'rabbis' of all religions —...[for] according to Jung, 'In them the Dark God would find no room.' —Reb Yakov Leib HaKohain

One cannot be too cautious in these matters, for what with the imitative urge and a positively morbid avidity to possess themselves of outlandish feathers and deck themselves out in this exotic plumage, far too many people are misled into snatching at such "magical" ideas and applying them externally, like an ointment. People will do anything, no matter how absurd to avoid facing their own souls. —Carl Jung, Psychology and Alchemy, Collected Works, Vol. 12, par. 126.


We're going to have our bathe in the river, and never mind the crocodiles. —Carl Jung

I only know 
that deep night, 
that way beyond sentimentality, 
that way over and beyond 'the Path' 
into the thicket, the swamp 

where the god of gators waits, 

submerged, calling to me to 

step less lightly upon the world. —Warren Falcon

Genuine knowing begins when sentimentality no longer bars the way. —Eugene Monick


*****

First Prolegomena To All Future Resistance


"It is night and now do all sleeping fountains wake." -- Zarathustra, in Nietzsche's Thus Spake Zarathustra

A Rule to break: Let sleeping dogs lie. -- Folk saying

A Rule to Follow: "Now, gods, stand up for bastards." -- Edmond, in King Lear by William Shakespeare


Now enter Diogenes Teufelsdrochk (taken from Thomas Carlyle's nom de plume for his satire, Sartor Resartus (The Tailor Retailored). Diogenes in Greek means god begotten. Teufelsdrockh translates from the German as donkey dung".

(God Begotten Donkey Dung blinking awake from sleep) "Damn those fountains! Can't a man sleep for godsakes? Burbling away all night while silent by day!! What was the dream?...ah...yes...










here














in












this













dream
















I have fallen out of heaven. 

Yea, verily, I have been thrown out by the very deities I tried to play footsies with who acted like they wanted it and then offended angels perceiving me a human rival tossed my fleece socks down upon me as an afterthought. Not a kindness, mind, but an insult to socks and sockitude and what they do. Still, the hurt is and was immense here now hanging on at the familiar perimeter, the Fenetre Fence, recompense for my offending hubris. And all I did was suggest! In the concrete world of Heaven suggestions are creations, coagulate accretions taken for fundamentals. There there is no poetry. No art. A fart becomes instantly too, too solid. Becomes reality creation. Becomes manifest and a curse upon Heaven and Earth for we are tempted to think that whatever is thought is a hard thing. This is a temptation. One of the worst and is an idolatry most foul.

It is the human imagination which is most truly, profoundly creative, with subtleties upon subtleties unfolding, infolding. Resonances unending. Effulgent, ever indulgent in proliferation of World and worlds and gradations never fading except into pastel shades hinting in visual whispers, "There is more..."

Whereas Heaven, Nirvana, icey and cold, is mute. Dumb as a box of hair. Hard as a brainpan.

Overtones and resonance. I tried to bring these to Heaven, along with my socks. Besides, my feet are warm, and Theirs? The Deities'? Cold as purity. Unyielding and smooth as plaster, all shape and shine yet no heat. No warmth at all. There is no place for feet in Heaven. Thus the angels, those feathery toadstools forever floating, all flame and flicker with not even a flint of spark in them, they are symbols perhaps for something Other-than-Matter supposed to convey something of Beyondness to us down here, solid substantial makers of something out of existence in the abjection and the abstraction, imaginations on real fire heating real flesh reaching into and warming many dimensions but let's not do that thing which Heaven does, reify and therefore deify and turn everything stone cold in a second and then call it religion, spirituality.

So much for Heaven's Spiraled Gate where all my life entire I all-too-humanly, always overwrought, have waited looking through the bars, a dumb ox in human form stubbornly staring in, yet again not having learned that once inside the Gate and amongst the Heavenly Company it is not at all as it appears to be from the outside despite the aroma of saffron and sage, myrr and milk.

The roses there have no pricks. But let me tell you, pricks will out!!

The rose petal and gossimer wide skirt of the appointed (usually self-appointed) pope or popette at first billows invitingly as container and sustainer, the very breadth and breath of wisdom, o the power and the glory (dost thou know that glory, gloria etymologically means, reputation? There is much shadow in this but tis disguised by millenia of angels, bloody footless featherdusters, descanting "gloria, gloria in excelsis deo". There's Ego in Heaven after all with such need for singing, nay, insistent repetitive shouting, of Divine Reputation. Boasting, it is. And very unbecoming of Deity...) but, soon, soon, all too soon, the Shadow slithers forth from beneath the Skirt revealing that even Paradise in its heights cannot escape the Law of Compensation and thus that which is in the depths, the repressed and scapegoated Shadow, veritable Lucifer, o'retakes the wings and belfries, even the shade beneath the Throne, O Rorschach, and some one or two or a group become It's emissary and thus the ancient drama of the conflict within God, spread out and played out amongst humans, continues unabated and, until Carl Jung, remains mostly unconscious or, if explained, is rejected as false because the belief is that God, the god-image, is perfect, whole, unblemished and complete. The All Good UH-OH.

Exuent Diogenes Teufelsdrochk.


[An interjection here from Harvey Cox regarding New Age capitalism's desacralization of the authentically sacred; he is addressing the commodification of Asian religions - but his critique most certainly resonates with Christianitys and the hourly, countless "flavours du jour" unleashed upon the world (of course, "for its own Good") — OY! OY! - by profligate Protestan-tisms which have adulterated and reduced Martin Luther's "the priesthood of all believers" (which attempted, still does, to readdress Catholic doctrine that only an ordained male priest can mediate between God and humans) to what very truly a monstrous "beasthood of all believers" each armed with a Bible proclaiming their interpretation of said Holy Book to be the "one and only true and absolute" "revealed personally to each and every (no matter the Babel/Babble shouted and battled)" so REPENT! yada yada, yada yada ya DA!:

"If there is any fault to be allocated, it lies not with the victims [of commercialization of spiritualities] but with the buyer-seller nexus within which the new Oriental religious wave is marketed. Despite what may be good intentions all around, the consumer mentality can rot the fragile fruits of Eastern spirituality as soon as they are unpacked. The process is both ironic and pathetic. What begins in Benares as a protest against possessiveness ends up in Boston as still another possession. Dark Kali, the great and terrible destroyer, whose very glance can melt the flesh of the strongest warrior, whose slightest breath can stop the pulse and paralyze the soul, finds herself dangling from bracelets with all the other charms.


No deity however terrible, no devotion however deep, no ritual however splendid is exempt from the voracious process of trivialization. The smiling Buddha himself and the worldly-wise Krishna can be transformed by the new gluttony into collectors' trinkets. It was bad enough for King Midas that everything he touched turned to gold; the acquisition-accumulation pattern of the new gluttony does even more. Reversing the alchemist's course, it transforms rubies and emeralds into plastic, the sacred into the silly, the holy into the hokey...(a) changing of the gods into consumer software..." —pg. 134, Turning East, The Promise and Peril of the New Orientalism, Harvey Cox, Simon and Schuster, 1975.]


REPRISE: A Drama - In them the Dark God would find no room.Carl Jung


In a 3 a.m. Seven-Eleven parking lot, two men sit in an Edsel, shiny red, with decals of flaming fire licking back from the front doors toward the rear. A priest and a striking looking man cleaning his contacts slurp slushy fruit drinks from paper cups in the front seat.

Pere Bleubols (Pere BB, for short): Here we go again, Loose (an affectionate moniker for "Lucifer"). I begin again ending in the same refrain (stating as if announcing), No avoidance of pain works truly.

Is that the theme?

Loose: Not quite. Don't suffer saying it right for all rites are meant to do that. Faking it sometimes works but in these matters best to play it from the inside out. Leave the tricky stuff to me, "le Tricster, par excellence". And I remind you not to shout. I did not do so when I plummeted to Earth, now "the most odious one", once "the Lover of God". The war, silly humans, is within the Godhead of which I am a part, dangling here where I've been given some play room but must caper, alas, with the likes of you and all the rest "in His image", what C.G. (Jung) describes accurately as "dreary little mirrors" in "His Likeness".

But Big Boom Boom Aboveness hikes His skirts and as young boy C.G. saw, for it was a revelation insisted upon him by Him Himself, finally shits His turd from beneath the celestial throne, clouds departed, crashing down upon the pristine shining Cathedral roof here, as they say, below. Now THAT, my good Pere, is proof of the existence of God! It is the Crap not yet heard around the world. It is the yet to be unfurled Open Stench of the Deity where stupid humans inflatedly think It is their very own but it is slowly sinking in, spreading around, rumors and humours on the wings of blue-assed flies, that the Divine Stinky, says some, this intuited but not yet known aspect of the Divine is about to reveal Itself, that your stinky is It's Stinky and how you humans consciously deal with it instructs Divinty Itself as to Its own Stinkiness and Its Purpose, if that can be divined, maligned, opined as, of course, it can be and is and ever shall be. Turd without end. Amen. [See Carl Jung's Memories, Dreams, Reflections (pgs. 36-42) where Jung gives an account of and commentary upon the vision just described]

Tis but an opinion and yet, hence from this wincing groaning Defecation, out of this Grimacing Heavenly Heaving, comes Alchemy, the only sacred art of your species, twas and tis for Feces' Sake that gold bricks baked, and still do, from Vatican to Fort Knox and back to Vatican again for I am not a fool for the game here is power and all of it that money can buy. And falsity these days is NOT cheap though cheap and false it may be, this Redemption Retailing, this Enlightenment Industry, this Mystery School for the Elected Elite plucking satguru's ashes from midair. But, and I agree with him, CG says, "Yes, wonder of wonders. Miracle of miracles. BUT it is not individuation."

And don't get me going about the Protestants, and the New Agers are no better really, who can't tell gold from a yellow Baptist school bus, who mistake size for value, the bigger the better, the more the merrier until, London Bridges, they all fall down. Graceland bubbas with bad toupes wearing pink panties beneath their three piece suits, , and much to their credit for the anima will out but they ruin it with shame, getting waxed and make-upped for TV revelations straight from His Stinkiness. Please. Too absurd. But not surprised by much at all I am continually stunned at how many varieties of this type, hype and tripe America can twaddle out from the Moloch mills of that entertainment industry which is American Religion from the formal to the fringe for, let's face it, much of what passes for religion and spirituality here is mere entertainment and out like all entertainment to make a buck while elevating some secular or psycho-sacro-saccharin-sanctimonius personality to high priest or highness priestess or now, even more easy and an even faster buck, genie, guru, showman shaman, Chanel channelers of Pleiadians ("but can they plie?") with a yonder far off Indian or Middle Eastern generic twang proclaiming the new millenium of bliss, peace, blessings and bling bling, veritable vats full of Blavatskys churned out of these mills all with personal revelations straight from that Central Star Above, Alprah Centauri. America's greatest contribution after all is it's comics from the White House to the Church House and all in between. And people gladly pay for laughter even as entire civilizations collapse and economies wither. Keep 'em laughing as paradigms shift to fanfare and solar flare, meaning old ones get plastic surgery in L.A., while the gray matter of the brain continues to obediently perpetuate the god-talk du jour. And keep the religion mills' vats full of these Blather-atskys with a dash of so-called ascended masters and a pinch of avatar catargh imported straight from Potage St. Germaine by way, o always, of Atlantis and ever demur of historical fact, Lemuria preceding from some distant star far away.

But seriously folks...

The rough beast of Yeats poem, "The Second Coming" does not slouch toward Bethlehem to be born but emerges from the shopping malls, the cyber-maws, the bestselling jabber jawkeys (lately with an Australian and a German accent) of occult secret masters mostly with non painted on white face (a mostly caucasian movement is the New Age, after all), and promulgated to the masses by a talk show host who can manifest millions of dollars yet not shed or keep off the pounds.

Zounds and gadzooks. Cue the lightningbolts! Shake the thunderclaps. Run out the bull roarers. Some Divine One is angry. And It's followers, too. But which Divine One? There are so many, Henny Penny. The sky has not fallen. Only I have done so.

Pere BB : I can't say all that! It's offensive! It's incendiary! Besides, it's alluded to through the ages in millions dead by purges and plagues, scratched upon bone and chissled in stone. It is all inked upon velum skin, on paper pages, and now etched on TV, movie and computer screens, the realization that Original Sin derives from the Originator and not the first human or ensuing sinner misbegotten in this Divine Comedia:

Seven Eleven, Nine Eleven,
Mundane as dirt is human hurt,
The agonies and the ectomies,
Whole boatloads of them,
All queries and losses.

Human Civilization scurries burying its head up its own arse or some other'n, whilst self-inflated, self-deluded Magickal Kinder Tom Thumbs proudly proclaim [in a sing songy voice], "Stick in a thumb, pull out a plum, say, "what a good boy am I!!" And they call it manifesting.

Jeez, Loose, I'm starting to sound like you but let me continue cuz I'm on a jelly roll, Morton. [Clears throat loudly, seriously] That despite the distractions, digital and otherwise, the Abyss is completely ignored or simply, ala modern/post-modern hubris, dismissed, slight of hand in a so-called "science of mind", "science of matter" or laughably with a literary deconstruction. Meanwhile the Divine Behind bulges beneath the Celestial Throne and lets go a Big One d'eclairing, "Deconstruct THIS!!"

Ye gods and little fishes know that the Church certainly isn't going to clean up the Mess and the New Age doesn't even see a Mess cuz it's some kinda maya or it's some kinda Mayan apocalypse grinding rapidly down to a halt on a day in December 2012. Perhaps the Church may have to do it after all, at least some tidying up, still so self-absorbed and captured in theological thrall with it all heads up their own Gold skirts and million dollar mitres, thumbs proclaiming, for these baubles do distract, I must say. And it is the Deity, His Minions from Rome to Dallas, that wears Prada and NOT the Devil. It is appalling, really. Alas, you've taught me too well. But then again these thoughts seem to be the inevitable determined productions of time in the turning of the zodiacal wheel.

I need a musical interlude. Mind if I play something chorale? Loose? A cantata or two? The night passes...after all...after the Fall.

"...Strike another match, go start anew...It's all over now, Baby Blue..." sings from the car radio then switches to a CD, Jesu, Priceless Treasure magnificently chorals softly through the car interior, out the open windows into the orange light of the parking lot, mingling in with the oil refinery noise across the fast highway of eighteen wheelers and stragglers weaving home from the bars. Loose puts his contacts in. Tears. From the contacts, he thinks. Or the no contact with Blessed Beloved Turd Ball up above. Smugly above. Damn Him.

[Jungian interjections regarding the one sided notion of an "all Good God":

...
[[This account has]] failed to explain to us clearly what it has done to the Deus absconditus (Jung, The Symbolic Life, par. 1535)

Absconditus means hidden. It is a favorite expression of Jung's -- Deus absconditus, the hidden God. In English, that stem shows up in the verb to abscond. A robber can abscond with the money he has stolen; he steals it and hides it away. The Deus absconditus has that quality: the dark, dangerous, hidden God. Jung is contradicting the...naive notion of [God]. Jung is talking about the living psychological reality, not the theological abstraction. There is a world of difference between those two. Since it [God] is truly dangerous, its containment in a religious institution is indeed desirable as long as that containment works. [So long as it is contained], has been chained up then the religious dimension of [God] has been chained up. One takes orders from the establishment, rather than from the autonomous psychic content, a situation that is safer. In dreams, [God as] the Holy Ghost is signified chiefly by three images: wind, fire, and birds -- especially big birds...

[More Jung] But the action of [god] does not meet us in the atmosphere of the normal, bourgeous (or proletarian!), sheltered, regular life, but only in the insecurity outside human economy, in the infinite spaces [or late night parking lots in parked Edsels], where one is alone with the...providence of God...Like God, then, the unconscious has two aspects: one good, favorable, beneficent, the other evil, malevolent, disastrous. The unconscious is the immediate source of our religious experiences. This psychic nature of all experience does not mean that the transcendental realities are also psychic... (Jung, The Symbolic Life, par. 1538)

The ambivalent nature of the unconscious was presaged in Clement of Rome's notion of the two hands of God...[Jung, regarding prayer]:

In these circumstances it becomes very difficult to know what to make of prayer. Can we address our prayer to the good God to the exclusion of the demon, as Schweitzer recommnends? Have we the power of dissociating God like the country woman who said to the child Jesus, when he interruped her prayer to the Virgin: "Shhh, child, I'm talking to your mother"? Can we really put on one side the God who is dangerous to us? Do we believe that God is so powerless that we can say to him: "Get out, I'm talking to your better half"?...[W]e're going to have our bathe in the river, and never mind the crocodiles." (Jung, ibid. par. 1537)

(All quotes above are from pages 94-97 of Edward F. Edinger's, The New God-Image, A Study of Jung's Key Letters Concerning The Evolution of the Western God-Image, Chiron Publications, 1996)


Loose (sighing then sobering): Once again, Perry (affectionate for Pere), you fail me or at least predict failure and then don't but you are, dear human one, free willed yet fearful of offending. Offense lies heavenward yet is rising in the chest and mind of each human for you all, everyone, are the petri dish, the laboratory for this conflict and confit de Dieu divided betwixt and between Leviathan and God the All Good Mother or Father. Look who you're talking to now, fool. Really, in spite of your self perception, you're lock-faced and unfenced like a cash register with alley cat eyes...You wish to speak of God? Here's your human angel (greek for messenger), Will Shake-n-Bake-Speare, always an advocate for the human, the creaturely, the incarnate, speaking as God (I take Devil's license here to attribute it to God. My will be done, thank you very much:

"To me you cannot reach, you play the spaniel,
and think with wagging of your tongue to win me."

Pere BB (impatiently, urgently): The tongue is all we have. And it has been from the very Beginning about utterance. Utterance is text and context. It is all "In the beginning God..." It is about the wake up out of mute, unknowing, instinct-driven protoplasm into human consciousness what can wiggle its toes willingly in the shoit, can evolve into a conscious creature capable of Buchenwald and Bach, and in time just barely but significantly hold the conflict, bear it so it just may produce what CG calls a transcendent third thing, synthesis born of thesis and antithesis. Silly bunk-filled 'Merican mystics wouldn't know a dialectic if it bit 'em in the astral plane and it does!! There is no consciousness, thank you CG for this, without the opposites. You, Loose, and perhaps Big Boom Boom Abovenss, too, or in cahoots together, or not but it's done, trying to work out the glitch in what He, you, both pitched forth into being with the pots of creation knew exactly what you were doing guaranteeing that there is no stasis above or below but continuing creation, destruction, creation, destruction, always some new unfolding Thing. It is, rather, "In the beginning, or, rather, to begin the Beginning was/is Dialectic..." All the rest flows from this. And if something stands apart from this then we cannot know it for it is wholly other and therefore subject to what? More dialectic which is important yet in the end mere speculation. I am whinnying here, Loose, bear with me, almost done, back to "that Silence which makes me and all of us really babble on. Welcome to human history. Welcome to the history of human consciousness. I paraphrase and distort here, dear Walt Whitman, but "Out of the Cosmic Cradle endlessly crocking." But addle and amble we must. Until exhausted I, we, shush.

(Suddenly, not quite done, as if arguing a case in court before the judge and jury, from Psalm 19)

"The heavens declare the glory of god,
the firmament showeth his handiwork.
Day unto day uttereth speech,
night unto night sheweth knowledge.
There is no speech nor language
where their voice is not heard."

It all becomes utterance and therefore text. I must. I must to the text. Let's not dawdle here any longer. And you're slurping your empty cup is making me crazy, addled. Thus, the night, noddled, passes and the text remains yet unuttered while you and the once sleeping fountains hurt my ears. Help me, for Chrissakes, Loose. Give me a beginning. I can't go on. I can't go on "without form and void". I, we humans, need beginning again and again. So what is the first sentence to be?

Loose (sitting up, shoulders back, wide grin, tossing his empty paper cup out the window victoriously) : Why, perfectly moi, of course, mon chere frere le pere du merde como le merde de dieu... Luciferian, splendiforous offering, veritable Fruit of Good and Evil-ish while chawing my licorice disguising breakle breath, as meaningfully mollifying as "Goddesh, Gol' darn, Goddamn and Godot with Eden Apple Pie, my my!!" Begin the beginning thusly,

I see another invitation to your knowledge world.

To be continued...


Jung's "Cloud-Cuckoo-Land" in Context

Jung's journey from Cloud-Cuckoo-Land began when he fell from Freud's grace for daring to think on his own and not buy the dogma of the Oedipal complex. Transferences and countertransferences (which are projections from personal and cultural history and transpersonal archetypal images from the collective unconscious) between both men were strong and mythic, from the very beginning. Jung had always been "his own man" in terms of character and thought (he was not a follower) and upon discovering Freud's ideas which paralleled some of his own as he researched and worked clinically with schizophrenics he contacted Freud, started a correspondence and "settled down to learn something" from Dr. Freud, almost 20 years his elder. Their first meeting together lasted 13 hours!!

That Freud had discovered the repressed within the human unconscious and found that an anamnesis seemed to allay symptoms unleashing expressions of the repressed and espressed
natural human instincts (as in espresso, compressed steam jamming through compacted black grinds (a good image of the personal unconscious, that) released an exhilerating sense of freedom in individuals and eventually in European and American culture. Eros was unleashed at last from churchy or other confines.. Dionysus was given sway in dance halls and tea rooms created boom boom room for ecstasy and unitive states with consequent and true to the archetype dismemberings and derangements of the senses which began a process of derangement and rearrangement of collective values of Europe and America. This has not ceased for Pandora's Box is forever opened and the cosmological rope-a-dope of renaissance has now gone global and many people the world over are extremely unsettled and unhappy, therefore reactive, often violently so.

Jung, intoxicated by Freud's find, prior to his discovery of Freud had already begun to explore on his own "the treasure buried in the field", the human psyche (which means soul), in the psychiatric hospital of Burgholzli, there exploring the meaning in madness he encountered in his schizophrenic patients which once kenned might restore some healthy conscious functioning of ego. Also the techniques of mezmerism/hypnosis and all the fascination of, with and by the manifestations of the unconscious, occult included, had at last began to be almost legitimately studied by science. Freud, Bleuler, Rhine, Jung and many more plowed the ground of "the field with the treasure" against great consternation of the science of their day. Yet in spite of these predictable resistences the excitement and promise of scientific discovery began to swell with the growing capacity for technological advancement via modern machinery of all kinds, along with pioneering inroads into the human psyche. All this was intoxicating as the growing zeitgeist of progress, an extention of Darwin's idea of evolution, in culture and technology nurtured high hopes for individuals and civilization. Onward and upward. Progress! The unconscious repressed aspects, what Freud called the unconscious and what Jung came to call the shadow, once identified could be channeled via psychoanalysis and expressed in more civilized ego fashion and the now made conscious sublimated id directed into more creative expression. Art, religion, science and the myriad inventions of human culture are none other than redirected creations of repressions up from"id central". All human productions through time could be uncovered to be humankind's attempt to hide, to sublimate, disguise, alter the repressed discontents of the unconscious. Civilization, it was Freudianly seen, grew in proportion the repressed contents of the human psyche. If one could discover and release repressions then a new era of wholer humanity may ensue, or so was the hopeful belief.

Young Jung wrote a letter to Freud before their famous rupture in which he described ecstatic hopes for equally young and randy psychoanalysis in bringing back the "god of the vine and wine, Dionysus, into Christianity" which in Jung's time and, alas, ours presently, held no positive place for nature and the instincts, particularly sexual and agressive instincts. If one views the German film, Young Doctor Freud, one will also see that repressed sexual instincts in general along with the repressed feminine in men while women were literally oppressed and driven mad was predominant in civilized (meaning instincts repressed, denied, judged, hidden and if outted then hided) society. This was also prevalent in the Jewish cultural community of those days as the Young Doctor Freud film and any good history book will confirm. This repression, as Freud came to call it, was part of the cultural zeitgeist of the Western world, secular, Chrisitan and Jewish in the late 1800's. Thus when Freud's work began to be taken more seriously, and when Jung discovered it, there was much controversy and excitement about the positive prospects of releasing repressions in more natural yet conscious expressions. There had to be a backlash and there was but the pioneering men and women of modern psychology were driven by the very repressed energies now unleashing to risk ridicule, ire and banishment for the sake of science helping humanity to evolve. (Here is an online source for getting a greater sense of the cultural climate of Freud and Jung's time, the four part series by Adam Curtis and the BBC, especially part one, called "The Century of the Self":

https://www.youtube.com/watch?v=KNxn2FT-duw

Jung's Enthusiastic Letter to Freud

"...Religion can be replaced only by religion...Only the wise are ethical from sheer intellectual presumption, the rest of us need the eternal truth of myth...But 2000 years of Christianity have to be replaced by something equivalent. An ethical fraternity, with its mythical Nothing, not infused by any archaic-infantile driving force, is a pure vacuum and can never evoke in man the slightest trace of that age-old animal power which drives the migrating bird across the sea and without which no irresistible mass movement can come into being...I think we must give it time... ever so gently to transform Christ back into the sooth-saying god of the vine, which he was, and in this way to absorb those ecstatic instinctual forces of Christianity for the one purpose of making the cult and the sacred myth what they once were -- a drunken feast of joy where man regained the ethos and holiness of an animal. That indeed was the beauty and purpose of classical religion, which from God knows what temporary biological needs has turned into a Misery Institute. Yet how infinitely much rapture and wantonness lie dormant in our religion, waiting to be led back to their true destination! A genuine and proper ethical development cannot abandon Christianity but must grow up within in, must bring to fruition its hymn of love, the agony and ecstasy over the dying and resurgent god [Dionysus-Zagreus], the mystic power of the wine, the awesome anthropophagy [eating the flesh, drinking the blood] of the Last Supper -- only this ethical development can serve the vital forces of religion...One can only let this kind of thing grow." (excerpted from C.G. Jung Letters, Volume 1, pages 18/19)

Fifty years later when a student of Jung's read this letter and wrote to him with quotes from it Jung responded:

"Best thanks for the quotation from that accursed correspondence. For me it is an unfortunately inexpungable reminder of the incredible folly that filled the days of my youth. The journey from cloud-cuckoo-land back to reality lasted a long time. In my case Pilgrim's Progress consisted of my having to climb down a thousand ladders until I could reach out my hand to the little clod of earth that I am." (ibid.)

It would take many cyber pages here to trace Jung's descent to the "little clod of earth" of himself and it is well worth the effort and study but this is not the intent here of this little essay. Suffice it to say that when I first read this letter, a recovering Christian fundamentalist of the Calvinist theological cult, I was absolutely thrilled, intoxicated like Jung, by his vision for a return of ecstasy and instinct to Christianity and culture. I was befuddled by his refutation and wanted to write my own letter to him saying, "Oh but your were right and are right. We must return to the ecstasy of the animal that we are and, as you say, we must consciously do so. You are all about a conscious awakening and consequent evolution and expression further in time of this contradiction that we are, animal and human (homo sapiens), irrational and rational, instinctual and ethical (ethical meaning humans having a capacity forconscience and thus live channeling the instinctuals healthily (enough) while consciously being aware of living in relationship to the other), natural and spiritual. You have spent your life discovering evidence that nature is sublime and sacred as it is and that spiritualities derived therefrom are a further expression of nature and matter, of spirit as matter, of matter as spirit. Teilhard de Chardin, whom you were approvingly reading much of in the final years of your life even has a book, Hymn of the Universe, where he sings "the life of the Cosmic Christ working out in the world of matter by that world's most powerful force, the free spirit of man in union with God." Or as you would say, Dr. Jung, the Self (Atman)."

A part of me still pleads for Jung not to recant that youthful folly. And now, myself older, I understand how Jung arrived at his regret, my having read him more deeply and widely now and with perhaps enough personal Jungian analysis to begin to practically understand and apply, how his youthful and enthusiastic expectation of a mass movement is a folly, how he came to understand that human masses, mass men, are not individuated, but are merged and of herd-animal mind, how individuation, that process of meaningful yet painful personal integration of anima, animus, and shadow (most often the animal part of ourselves, the protoplasmic self, as I call it) by nature sets one apart from the masses though one must live within and in relationship to masses, groups, institutions large and small, sacred or secular. Jung understood how groups demand and reify merge-mind with compliant conduct and eventually frown upon individuation if it means moving out of all that. My understanding of Jung's later understanding is that what he spoke of in his youthful letter had to be accomplished within the individual. This is hard enough. If more and more individuals imperfectly yet earnestly work their end of it then perhaps the collective, the masses, will be influenced.

We can look at contemporary culture and see this is so. Now, many television programs and talk shows use Jung's term, the shadow. The culture assimilates some of what he and others are/were about but can only go so far unless individuals ongoingly do their work. Jung realized that his work would eventually go the way of all mass markets and be popularized, consumerized, institutionalized and therefore greatly adulterated so he wanted to be involved with all that while he was alive so he could have a say and an impact upon how all this might take shape while trying to guarantee some accuracy regarding his discoveries, his writing and analytical principles and methods. That Jung has had an impact upon culture is not in doubt and he is still much debated, often maligned and misunderstood if paid attention to at all. Nonetheless he was taken up, all too willy nilly and, frankly, cloud-cuckoo-landly by the hippie movement which evolved into much of the what is known as the New Age movement. Most common notions of Jung in the culture are what I call "hippie Jung" which is not at all who or what Carl Jung is about. I encourage a careful reading of one of these three more accessible works by Jung if you want to deepen your understanding of his work in contradistinction to "hippie" or "New Age Jung":

Memories, Dreams, Reflections, Jung's autobiography

Modern Man In Search Of A Soul, essays

Man and His Symbols, 
essays by Jung and several of his proteges

A final note about Jung's youthful letter — in it are lifelong themes which Jung delved into in great scholarly and personal depth. Jung's love of Nature compelled him into science. A deeply contemplative man who grew up in the Christian religion of his community, his father and many uncles were Christian ministers, Jung also was deeply impressed by the power of religion and sought in his work to bring science and religion into some beginning and more accomodating understanding of the other. Jung located spirit in nature and found evidence for and spent his life working on gathering this evidence from the manifest records of human history, myth, religion, arts, sciences, and dreams. Jung's work theoretically and practically demonstrates the presense of an innate religious or spiritual biological function within humans. He often repeated as he was repeatedly (and willfully) misunderstood that as a scientist he had set out to prove the objective existence of a "god-image" but that he could not prove the ontological existence of god. That, he said, he left for theologians. But he could trace human history from archaic man to his present and find images that earliest humans were aware of something greater to their existence than themselves and what they perceived by the human senses, an innate intuition that there is more to existence than, as I like to say, meest the eye or thigh. From cave drawings and other archeological evidence and then from recorded history Jung concluded that humans ongoingly have had god-images which oriented them in some way as to meaningful existence. These could and should be studied and lived with to presently ferit as much as possible from them those living energies, what Jung calls archetypes, within them which turned the wheel of human consciousness forward.

This early letter also very much reveals Jung's lifelong relationship not only to religion in general but to the Christian religion which, as some writer has characterized, Jung "put on the analytical couch." Jung's work on alchemy was a later development of his studies and research in religion and Christianity in particular for alchemy combined nature (science) and religion (Christianity with gnostic, kaballa and other influences). Jung's essay, "Transformation Symbolism In The Mass" carries further Jung's earliest interest and enthusiasm for a return to the ecstatic by serious scholarship, study and depth understanding of the profound archetypal symbolism in the mass. When I first read this essay years after I had left the Christian church Jung moved me to tears of discovery of the profound meaning of the symbols and rituals of the Communion Mass. Further writings and explorations of Christianity underscore this earliest interest, his love-hate, relationship with it to the end. Yet Jung did not study Christianity exclusively. His interest in world religions, particularly the religions of the East, gave us many essays, some of the earliest in Western culture, about meditation, yoga, the Tao and I Ching. It is from these essays that the Beats of the '50's, the hippies of the 60's and the New Age movement which follows found their way to Jung. I would encourage a first reading or a rereading of these works to truly understand that Jung was not a "New Age prophet" though his openness of mind and spirit to all expressions of man's soul make him a friend to all religious seekers. For those interested in Jung's writings on the Far East and its religions there is one convenient volume now available with 12 essays and forwards; Psychology and the East, Bollingen Series, Princeton University Press, 1978.

*****

Afterthought - Confession


Giant sculptured marble head on a corner of a London Street 
near the Tate Modern Museum.

Excerpt from a letter by P. Bleubols to the late poet, Franz Wright:

... because the soul is a stranger in this world . . . This blue world. 
Unattainable - stranger than dying, by what unmerited grace were
 we allowed to come see it.'  —Franz Wright


Dear Franz,

I just want to say to you 

such blackness I have traveled through all night, and 
because of you I have made my peace with the Atlantic. 

And returned, I slept, one hip wounded, a new name to be announced 
at a future date bearing a significance of which I can only wonder 

derived of a bruise that I have often sung, of swift and terrible deity grasped. 
It grabs back, refuses to relent but is bargained with and for, leaving one bent, 
limping, 

a worshiper forever. 

Still, 

swallowing  the moon whole could mean madness now or overdue 
for the supreme vanity of daring to eye-gulp the whole swiss cheese. 

Please gods and moondogs the effort pays in insubstantial ways, 
makes a life, gives focus,  employs for life times: 

spilt milk 

one milk tooth 
a throat charm 
against seeing 
but not the saying. 

It troubles me that I can't get it right. 
Not the moon but the poem.


Still, this for you, and Rilke,  

Einfallen*—Remaining Light In Duino

[Beginning with two lines from Fifth Duino Elegy by Rainer Maria Rilke which was inspired by Pablo Picasso's painting, Le Saltimbanques - The Acrobats, with which Rilke lived for awhile]

1

"You that fall with the 
thud only fruits know, unripe,"

here wait to be shaken. 

Here we carry, or ought to - driven so much past 
bitter root - sugar, not for ourselves but for the gods 
to sweeten their too objective palates 

to open them into our subjectivity which, secret told, is 
what they crave, our realist sufferings, such are sweet 
to them, makes them, too, more solid - 

what they seek - solidity beyond our capacities to reify 
but for Imagination which conducts/births them into material 
being. 

Our extreme suffering compensates for, gravitates, their 
too refined coldness toward heat. 

They, like scattered flour, having no leaven, 
dream/desire us-the-leaven; they seek/swell

into what we have, what we bring, we, the most baked, 
to be torn into, eaten, too, for yearning gods' sake.

They come/fall compelled to colors, palettes, ours, upon
worn pallets, these acrobats, as-yet-enfleshed lovers in
not yet felt world and literal sense, they

do balance, risk, stumble, break, stutter/cry, utter such, 
further dimension into

desire's bodies, breath, ashes, 
importantly, always just arriving

forgetting the arguing seed's
previous vertical discontentment.

2

Such skies already known 

limb by limb escape 

slowly their shaping. 

They suspend, extend then 

into their felt fall, 

hard land into waking.

What uses for tears there 

are gathered there from 

the eye, pour upon the 

cheek from which miscreant 

tongues may most drink.

3

Think again upon these things

which go about in darkness and

stumble against begging no pardon

intent still on passage confused 

for words or Ibn Arabi's 'Black Light' 

no light at all or thing but a gnossis 

found,  or given.


Gnossis, most striven for, in minutest motes, is.


All this to say, Ready.

Darkness. Expand/extend

further beyond (yet into)         

unsaid street corner, 

into inarticulate cathedral, 

into unutterable mosque, 

into wholly other loci

dependent upon uninhabited

blue field, crust, what

passes for, or has, Light, 

just overtones 'beyond the fiddle.'

4

Now here must stop

in what is remaining light to cook


must bend to the purple cabbage at hand, 

the courage of the knife

the helpful drive of hunger, 


marvel yet again, it's faceted pattern when 

halved, same as the onion, the leek


Such facets in me too reveal when

I dare to be loved in two


*NOTE: Einfallen - German - verb meaning to fall, invade, enter, collapse, come to mind, aha, flash of insight


** Click on photos to enlarge the image

Einfallen near Le Cave de La Autodactyl



><><

Juxtaposition of not-opposites but
at least two slants of a whole as yet
to be kenned much less enkindled 


and


Jean-Luc Nancy, from his stunning book,
Adoration, the Deconstruction of Christianity





Sunday, January 4, 2009

"Untie, Or Break That Knot Again" - On Resolutions And Why We Fail Them


[Alex D. of Oaxaca, Mexico. The New Year is often depicted as an infant signifying the dissolving back to beginnings, simpler forms, in Western alchemy. Congrats to Monica and Luis, proud parents of Alex who brings a smile and warmth in this photo for one and all at the beginning of 2009.]

solve (v.)
c.1440, "to disperse, dissipate, loosen," from L. solvere "to loosen, dissolve, untie," from PIE *se-lu-, from reflexive pronoun *swe- + base *leu- "to loosen, divide, cut apart" (cf. Gk. lyein "to loosen, release, untie," O.E. -leosan "to lose," leas "loose;" see lose).
resolve (v.)
c.1374, from L. resolvere "to loosen, undo, settle," from re-, intensive prefix, + solvere "loosen" (see solve).
resolution
1412, "a breaking into parts," from L. resolutionem (nom. resolutio) "process of reducing things into simpler forms," from pp. stem of resolvere "loosen" (see resolve).
dissolve
c.1374, from L. dissolvere "to loosen up, break apart," from dis- "apart" + solvere "to loose, loosen"

Why most New Year's resolutions (and ongoingly through the year) do not work is perhaps inherent etymologically in the word itself which indicates a "breaking apart, a reduction of things into simpler forms, a loosening, undoing, untieing, untangling, dividing, unsettling and cutting apart". Honestly, who actually wants that? Who needs it in terms of time, attention, energy, patience and persona in our busy lives with self, others, and the "getting and spending" of consumer society which packages and encourages much of what we are resolving to tone down, parse, eliminate and banish from our daily lives? To actually undergo the dissolving process inherent in the word resolution is not what we consciouslly sign up for every New Year when we make our resolutions. What we unconsciously sign up for in making resolutions is most often ongoingly excoriating, disorienting and often conjures the hidden energies and issues beneath the presenting problem, habit, symptom and behavior we've resolved to change. Alchemical processes of transformation involve our ultimate assent and surrender to That Greater Will (God, Higher Power first manifested as a complex, a symptom, habit, addiction, etc) which has mugged us, dragged us kicking and screaming or innocently whistling on our "naive New Age tuffets eating curds and whey" from everyday mindless path-walks into the woods, the wild, the waste places --"we're not in Kansas anymore, Dorothy"-- and into the bubbling cauldron or oven of many a myth and fairy tale witch.

In Western alchemy the phase of "solutio" or "solution" is one in which things are dissolved in water. Rituals using water evolved when early ancestors noticed that solid things seemed to disappear in water, they broke down, dissolved and lost form. To resolve then is to undergo a process of dissolution, dissolving, a loosening and losing of form and structure, rendering things back to simpler first forms. These simple forms are called prima materia in alchemy which is the raw stuff of the psyche/soma, the as yet to be cooked material of the innocent self. The prima materia is what brings us into therapy, counseling, psychological and spiritual work. This rough stuff, untamed, wild, and instinctual, conflicts with the "smoother" aspects of personality (persona = mask) and ego and thus begins theconflict of alchemical phases of individuation.

During New Year celebrations we often participate in group events which involve formal and informal rituals of dissolution from religious services of sermon and song to inebriated imbibing of alchololic drinks while merging (a form of solutio) into celebratory group/collective mind in the Time Squares of the world. Group mind is a collective pool, if you will, in which we become one with the many who have become one in ritual and revelry as we collectively dissolve the old year and self into a new born babe (that oft seen image of the new year as a crawling, be-diapered infant wearing a top hat), a new self we resolve to become or work toward in the new year. With sophisticated world-wide media we are able to be in dens and livingrooms with televisions and computers tuned in enabling us to literally participate in the global pool/solutio going on from one time zone to another, a species-wide dissolutio event of group intoxication and merging as one to ring out the old year and self whilst ringing in the new "naked" year and self to come.

These outter rituals are most easy to do and one often gladly participates in them, however, the actual personal alchemical processes alluded to in our resolutions are such chronic, intense and disorienting experiences that scarcely anyone will assent to submit to them unless forced to by the psyche/soul which insists via addictions, symptoms, events, disruptions of routine self that one undergoes the lifelong alchemical procedures of crushing (called nigredo in alchemy), solutio (dissolving/breaking apart), calcinatio (burning to reduce hard accretions of prima materia into more refined states with the heat of the fires drying out our affect/emotion laden complexes), sublimatio (not sublimation ala Freud but refining into essense), putrefactio and mortificatio (decay and death of hardened parts of self), the goal of all this leading to the creation of the philosopher's stone, the agua permanens, the essential conscious self in conscious relationship to
the Self, Jung's term for the central organizing and mysterious factor of the psyche from which our conscious selves are derived. This relationship of self with Self is called the Divine Marriage and is the goal of alchemical transformation.

One of the inherent meanings of resolution is to untie, to loosen. The very word "analysis" literally means to untie, to loosen the knots. Psychoanalysis, Jungian analytical psychology, and consequent developments of subsequent psychological theory, technique and evolving schools of psychology are about this untieing, loosening of psychological knots which can usher us into alchemical transformative processes. In this most difficult yet meaningful work we need guides who have undergone and are currently undergoing the alchemical processes which we all undergo but mostly unconsciously whereupon many of our treatments and cures are chemical of medical and addictive variety or naively positive and irritatingly simplistic. To enter the alchemical laboratory of counseling, therapy and spiritual traditions with appropriate and "cooked/cooking" guides values the procedures of alchemical transformative phases. We suffer but we suffer meaningfully and not alone. Jung says that meaningless suffering is hell. To arrive at the felt meaning and actual ripening of and within difficult passage elevates our experience of the journey from nigredo, the crushing, darkening beginning phase of beginning changes, to Coniunctio, none other than the sacred inner marriage of opposites within ourselves, of masculine (animus) and feminine (anima), of ego with shadow, of self with Self.

To conclude, resolution also means to hold firm, this holding firm during and after breaking apart, dissolving and undergoing the process of alchemical change, consolidates authentic psychological maturity which endures the difficult phases of change. In this submission which is an admission (the first step in twelve step programs) we are no longer (or less, at least) victims of life, of somatic, psychological, spiritual, and social powers and, most importantly, our Higher Power as we experience It, whom/which is driving/enforcing the changes upon and within us. Jung's rediscovery of the transpersonal nature, the Self and It's archtypes, of our complexes, addictions, symptoms, and issues reorients us toward more meaningful endurance, suffering and arrival made new even within the apparent but transparent limits of our personal history. We surrender to the Greater Self and hold firm that the work will be complete and whole, not perfect, which holds all personal and transpersonal opposites not as contraries but as dynamic creative complements intent on continuing what was/is begun at beginning (a kaballistic rendering of the first verse of the book of Beginnings or Genesis is, "In the beginning is beginnings".) Our knots become sacred means by which we encounter the contractions and constructions of material and psychological existence, its joys and vicissitudes (meaning "changeably, in turn," from vicis "a turn, change") with our eventual gracious (enough) though vociferous submission to That Grace which bestows encountered in every alchemical phase of changes in many guises. In assent and consent we are loosened from that personal will power which creates our well meant yet naive resolutions humbly recognizing that Greater Will (we know It when we see, hear, touch, taste, smell or intuit It) which batters, bends, knocks and breaks us all the while enthralling and ravishing us in, with and by It's Mysterious Palpable Presense. [In a future essay I'll speak of that Presense experienced as Absence and Emptiness.]

John Donne
's Holy Sonnet #14 is the prayer of one in the midst of surrender to That Which dissolves us, assenting to the dissolving phase of alchemical change, his understanding that these changes are brought about not from the self, the ego with all of it's will power, but by that which is greater, the Self of Selves which Jung calls the Self and Donne calls God :


Batter my heart, three-person'd God ; for you
As yet but knock ; breathe, shine, and seek to mend ;
That I may rise, and stand, o'erthrow me, and bend
Your force, to break, blow, burn, and make me new.
I, like an usurp'd town, to another due,
Labour to admit you, but O, to no end.
Reason, your viceroy in me, me should defend,
But is captived, and proves weak or untrue.
Yet dearly I love you, and would be loved fain,
But am betroth'd unto your enemy ;
Divorce me, untie, or break that knot again,
Take me to you, imprison me, for I,
Except you enthrall me, never shall be free,
Nor ever chaste, except you ravish me.

********************************************

[There are enough accessible books now available which detail this alchemical process of transformation which is not an escape from matter which most religions seem to be geared to, especially those of the West, but a transformation process into more conscious matter, awakened matter which does not escape material existence so much as consciously inhabits it and in so doing, says Jung, affects all levels of existence. Two books I highly recommend for ongoing study of alchemical processes of transformation are:


Anatomy of the Psyche, Alchemical Symbolism in Psychotherapy,
by Edward F. Edinger
The Emerald Tablet, Alchemy For Personal Transformation, by Dennis William Hauck

It goes without saying that reading all of Carl Jung's work on alchemy especially while undergoing the phases of transformation from break down to reunion/marriage of self with Self will continually orient you within the tumult of the stages. Having the books and a guide who has and is currently and continually undergoing the "refiner's fire" of Self and Psyche companions one, contains and orients one throughout. Alchemical change is an intense ongoing experience of cooking and refinement in all ages of life. It is never done though there are many who think they have arrived, veritable souffles of shimmering spirituallity, done with shit and shadow. Beware working with those as you will inevitably carry and undergo their unfinished work (if ever begun) and shadow which is ongoing work all the way to the end.]

Sunday, December 14, 2008

Part Two - "Are We Lost Yet" -- A Gypsy Cab Author Caught In A Texas Milky Way


[For Part One of "Are We Lost Yet" go to the "Blog Archive" menu on the upper right and click onto the only other December link, "Part One, etc."]

Coda - 1753, from L.
cauda "a tail."

And so it was I entered the broken world to trace the visionary company of love. -- Hart Crane

...the drunken taxicabs of absolute reality... -- Allen Ginsberg

Mark the first page of the book with a red marker. For, in the beginning, the wound is invisible. -- Edmund Jabes


Gather ye nosebleeds while ye may.

This is for R. M.


*********************************************


A man of many false starts..."
-- first sentence from the manuscript I'm writing of below.


Estimado hermano Moises,


The first sentence launches the piece and the story carries itself along like, say, a veteran of the Iraq war cabbie I know driving here and there in a Texas town doing so because that's where the money is, compelled to dirt roads and back streets one would never intentionally go to if not for the need of money, forcing a broken-legged hobo's freedom of sorts to make mutually agreed upon brief commitments with strangers to destinations ending with a discharge and a fare-thee-well. Between customers arrives the graveyard shift nightly migration to the Waffle House for respite, rituals of grease, gravy and grinning at the Medussa-wigged waitress with echolalia. Petrochemical company flares just across the highway signal Mammon Wasteland Theology's Trinket Sacraments to the folks who live in and around this mess, a desert kingdom of the far flung, you being one of them now, home from the war, exile before and after, returning to the beat up but beloved truck that also tells a story and leaves a stain -- to Jake and his slow breakdown or break in, and the hard lesson of earnest Private Hodges trapped in his pattern of wanting approval and love ill sought from the gold-toothed refugee Drill Sergeant Thomas, late of Liberia, a wannabee Jehovah with too much power over America's young game boys shipwrecked onto military shores.

As everyday and makepiece the settings and the people are you make me love them, even those chemical companies and the justly reactive radioheads, their words blown out of cab windows -- you write, "the wind blows away our words" -- to be heard all the way here in the East Village, New York City, the words, discarded or dragged screaming from a passing cab, compel compassion, curiosity and hint of a calm eye in the center of the eternal return of dispatches to the corner of Crackhurst and Waffle House and back again. This eye observes, swerves to miss the Mexican kid chasing the ball into Same Ol' Street ("same as it ever was" -- David Burne), notes it with caffeine, amphetamine laced, and traces "the visionary company of love"-- stubbed cigarettes, sputum maps coughed and spat.

As justly bitter (unlike the bland and tepid Waffle House coffee) as the writer's voice may sometimes sound there is a tremendous compassion and sorrow heard for these faces and places. This "broke hearted" uttering does, indeed, trace the visionary company down on "those mean streets" of Texas and World missing a few teeth, unfurling like remote prayerflags in coldest Himalayas fluttering and flung from gypsy cab windows, unheard hiccups of eventing into the oblivion of the obvious -- flutter-flap ancient technologies of cloth strung holy in bleak majesty articulate and plead "Mercy" for all the species, eventually our own, obliterated by human tracings, Gate Gate Paragate Parasamgate Bodhi Svaha...GONE, GONE, GONE BEYOND, COMPLETELY GONE BEYOND, ENLIGHTENMENT, HAIL.

Keep going with this and the other pieces...the line was strung years ago when you were just a kid in "Father Bob And "What The Fuck" Land" and all the books (which are NEVER false starts) read and to be read and written since then and now and to come, and the suffering and isolated hours and forlorn miles in the merciless cab, flap and flutter with real voice about poor human choices which, even at their worst, are votes for visionary company in those universes revealed even in Texan and Iraqi sand. It is so brilliantly human to find the diamond in the shit.

It's damned good you are in-spired in the debris of progress, a wake-dreamed jeweler mining away, in-breathed, while sucking those cigarettes and lovers, the hashbrowns, along Texas highways and byways waiting for another dispatch to Bumfuck and Divine.

The psalmist says it right, no matter the blight:

Let everything that hath breath praise the Lord!!

I await another dispatch prayer for the far flung tracers.


Abrazos bien fuerte
,


Warren

[Above Photo by Warren Falcon, "Mexican Cab And Straw Wheels", Apizaco, Tlaxcala, Mexico, January 2008]

Wednesday, December 10, 2008

Part One : "Are We Lost Yet?" -- Upon Darkness and Nostos, a Gypsy's Diaspora-as-Return, Scapegoats & Chakravartins


Mark the first page of the book with a red marker. For, in the beginning, the wound is invisible. -- Edmund Jabes


Nostos is a greek word for a return home.
Nostalgia returns us home via memory though we
may be far and parted by distance, by division, by diverse passages.

The etymology of the word Rom (gypsy):

One who pervades and operates all.
One who roams about.
Dark-colored
Husband which is the same as in the Romani language

Pleasing, delighting, charming (in Sanskrit ramana is masculine and ramani feminine and in Romani language is also romni (meaning 'wife').
One who pleases or delights others. "Roma of Europe do please others and delight others by their excellent music and dances", notes WR Rishi in Roma. -- from romani.org


We are the poor ones, and only in poverty can we hear what the earth may speak.
-- Tom Cheetham


Every revelation partook more of a significant darkness than of explanatory light. -- Herman Melville


We do not mourn because we see through a glass darkly, we now rejoice in the dark loveliness of the glass. -- John Dominc Crossan


And so it was I entered the broken world to trace the visionary company of love. -- Hart Crane


***************************************************


I have recently been reading of the gypsies, or Roma or Romani as they prefer to be called, which finds me reaffirming the earthy depth dimensions of incarnate life and honoring the dark light in this season of literal darkening moving toward the winter solstice (see note below re: the Iranian sufi notion of "dark light" and an excerpt from Tom Cheetham's essay on Corbin*). My reading does not make me an expert on gypsies and gypsy culture but I do know that gypsies historically and presently the world over have been scapegoated and maligned by dominant "settled" cultures and values. Gypsies suffer the fate of scapegoats who are designated to be the carriers of disowned psychological content repressed into the nether regions of psyche and culture. "Well acquainted with the dark" (Robert Frost's phrase from a poem), and "well acquainted with grief" (from the Judaic Book of Isaiah), the gypsies have formed and consolidated a strong cultural identity which survives and thrives claiming themselves as other-than-outsiders yet knowing that it is from the outside that they have the vantage and advantage of observing those who consider themselves and their culture to be insiders, all the while the roma historically move through the inside as outsiders on their way "home".

A friend who travels often and hikes much due to a lifelong demandingly strong wanderlust has read much about gypsies told me while hiking a few months ago that it was his personal belief that a rom, meaning a gypsy man, slept out in the open under the night sky in order to travel the great road above curving from horizon to horizon, refering to the Milky Way. In Jan Yoors amazing account of his time with European gypsies as a young boy in the mid 1930's (The Gypsies) he tells how on his first night with them he lay upon down blankets outside with his new friends. He saw a shooting star suddenly chase across the sky and excitedly pointed to it for others to see. One of the rom boys quickly hushed him and pulled his pointing hand down explaining that a shooting star is a gypsy being chased by the authorities. If one calls attention to him, the dashing star, he will be caught and jailed or exiled.

My hiking friend explained his belief that the stars furthest from the shining middle road above on the edges of the horizon all around are remotest ancestors wandering upon their own roads in the dark. The brightness of the Milky Way is always available to orient them no matter how far they may travel away for they may nightly return to the campfire and sing and dance remembering who they are and where they dwell in a present which impresses futurity.

The Value of Becoming Lost

A colleague and friend once worked with a young boy who had been physically abused by his addicted parents. Scarred from cuts, cigarette burns and missing an eye due to it being purposefully burned out with a cigarette, the court eventually sent him to live with his elderly grandparents who dearly loved and cared for him. The trauma of such abuse which began as an infant proved to be unyielding and the boy refused to go beyond the front porch of his grandparents' home though a part of him longed to do so. In the course of several years my friend worked with the boy at the grandparents' home arriving there weekly on his bicycle. The boy wanted very much to ride on the bike but was afraid to leave the safety of the front porch and was afraid as many children are of becoming lost. With patience and support he eventually could go into the fenced in yard and up to the roses whose petals would blow through the fence where they were then blown up and down the street. My friend used the example of these traveling rose petals who loved to move in the wind wherever the wind blew them to pace the boy's readiness to ride with him on the bike. The day came when they could ride together in front of the house then up and down the street until one day less afraid and emboldened with the call of other unknown streets the boy said, "Let's go!" Traveling far and long from his grandparents' home at some point the boy smilingly looked back from the handle bars into my friend's face and excitedly asked, "Are we lost yet?!!"

As in this story there is some vital thing in a gypsy's dialectic of diaspora-as-return via memory and nostalgia which deeply moves the human into the depths, in the waste, wild, lost and hurt places, a move toward and upon a more ancient and primal road contacted in darkness beneath the countless roaming rom and wheeling stars above. We are relocated, reoriented in the dark as wayfarering strangers passing through filled with not knowing, emptied of the familiar yet delivered apace into recognitions of our and the other's face and place, both friend and enemy, home and exile. The very word roam from romen, possibly from O.E. *ramian meaning the "act of wandering about," related to aræman "arise, lift up" is homophonic to rom, those visionary travelers who encamp on the outskirts far from but mindful of Main Streets, strangers who every few days or so must flee because the local populace and authorities run them away as suspects, thieves, child snatchers, chicken stealers, pick pockets and filchers of laundry drying on unguarded clotheslines. Viewing the ancestral rom in the night sky does indeed raise up, lift up the individual and the caravan gazing and dreaming from the dirt below remembering who they are relocating them in the universe which is what any good cosmology of romani song, whirling gypsy skirt, earnest romani boot and supple gesturing hand does even as one races in splintering saunters scattered about by the chasing collective cops and holy congregations eschewing those despised Others passing through.

Solstice and Christmas With A Gypsy Slant And A Song Of Passing Through

I'm minded of another wanderer who was executed between two thieves 2000 years ago (which associates him to thieves archetypally but that's another essay) whose birth many will soon be celebrating around the world near the Solstice. Associated to a bright star and others which indicated to ancient astrologers who and where he was to be born he wandered from a far off place to be born in a barn surrounded by animals (the instincts) where he was laid in a manger. A manger is literally a feeding trough for animals to eat from, this first bed of the Wanderer an early indication of a later rite where his body and blood would be ingested, digested and integrated into individuals hungering for that which he hinted of, demonstrated and proclaimed with spirit as available to all who could endure the depths, the dark, the not knowing. I now like to think of him and his traveling family from a "white trash" town called Nazereth as romani. The punishment tree, a cross, became and is an ongoing response to what this rom's indication of what utter humans might attempt to express to each other while sojourning here.

This Gypsy Christ associated to a stellar event discerned by astrologers valued the dirt and the dirty. A friend to the instincts and those who lived them, fishermen, hookers and others of suspect morals and character (no offense to fishermen who are "hookers" of a different sort altogether) , he spoke of the possibilities of a living, felt integration and synthesis derived of contrasts and opposites projected upon the Other. Becoming the Other-as-cultural darkness, his new vision and value as a response to the warring power-mad states of his time eventually grew bright and troubling enough to challenge the rightness of official dogmas of ancient church and state, those calcified "kingdoms of this world". He spoke of another kingdom which may incarnate via individuals where that which has been oppressed, repressed and cast out as of least value may be invited in and integrated toward a greater whole/holdness which does not "shut out any part of itself" (a phrase from poem by John Tarrant).

Leonard Cohen's plaintive "hymn" called Passing Through sings of this Traveler's "Gypsy" message, or a common interpretation of it, and can remind us that being acquainted with the dark and even being identified as the dark projection of a person, group or culture alchemizes a new awareness, synthesizes (or can) a more conscious and welcoming embrace or, barring that, a mature tolerance of that which carries one's own darkness :

I saw Jesus on the cross on a hill called Calvary
"Do you hate mankind for what they done to you?"
He said, "Talk of love not hate, things to do - it's getting late.
I've so little time and I'm only passing through."

Passing through, passing through.
Sometimes happy, sometimes blue,
glad that I ran into you.
Tell the people that you saw me passing through.

Chakravartins and Caravan Wheels

From Hinduism comes the notion of the chakravartin which literally means "wheel (chakra) turner (vartin)". Any person who profoundly shifts consciousness is called a wheel turner having turned or begun a process which turns the wheel of human consciousness and culture. Buddha is called a chakravartin. One can borrow the term from the Hindus and Buddhists and apply it to Jesus the Christ, as well. Chakravartins archetypally have a reputation as trouble makers so that when a Buddha or a Jesus showed up in town one can imagine its citizens grumbling aloud, "Damned chakravartins!! Goddamned trouble makers!! There goes the neighborhood!! And look who they hang with and what they do!!"

With the image of the chakra wheel above associated to the large wagon wheels of the gypsy carriage one can imagine that romani caught the trouble maker part of the archetype as wheel turners disrupting established order, routine and authority bringing a new value, an as yet to be owned and integrated expression of human creativity, relatedness and consciousness. Scapegoated wheel turners wheel through the collective heart and in so doing reel the local calm into a froth of possible futurity frought with fear, fascination with a potential holdness, not holiness, which includes and values a darkness equal to light.

GO TO THE MENU ON THE UPPER RIGHT OF THE PAGE TO:
Part Two
: A Coda To A Gypsy Cab Author Caught In A Texas Milky Way


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* [See Henri Corbin's The Man of Light In Iranian Sufism for an excellent scholarly presentation of "the black light", a light which is no light and not associated to common reference to light used by many religions and spiritualities. To give you a flavor of the black light here is a quote from Tom Cheetham's online essay, "The Angel Of The Earth" (read the entire essay at this link, http://www.sophiajournal.org/archives2/cheetham.html :

This is a direct perception of what philosophers call the contingency of being. It is the experience that gives rise to the great question of metaphysics "Why is there something rather than nothing?" For the gnostic it takes the form of a shattering moment of annihilation and terror, undoing all the solid foundations upon which the ego and the literal world are built. In Corbin's words,

3 Henry Corbin (1994), 112.


The black light reveals the very secret of being, which can only be as made-to-be; all beings have a twofold face, a face of light and a black face. The luminous face, the face of day, is the only one that…the common run of men perceive… Their black face, the one the mystic perceives, is their poverty… The totality of their being is their daylight face and their night face…4

4 ibid., 112-113.


The wonder and terror in the face of the fact that there is, but only by the inexplicable grace of God, something rather than nothing, provide the opening to the Unknown that lies at the heart of all religion, and of all knowing. To cover over this terrible wonderment is to block access to an Absence that is not the empty Nothing of nihilism, but the unknown and unknowable source of everything: the necessarily Hidden God beyond all being.


We know from Corbin's work that there are two darknesses: the darkness of evil that refuses the Light of God, and the shattering Darkness of the Black Light at the approach to the Pole that annihilates all human knowledge and pretension and is the final dangerous trial of the mystical journey. Perhaps it is an intimation of this divine undoing of human arrogance that lies behind the post-modern desire to deconstruct the claims to positive knowledge that define our rationalist heritage. But this destructive frenzy too often remains trapped within the confines of human language and ends in nihilism, solipsism, apathy and resignation. This leaves the way open for the radical dogmatists, both technological and religious fundamentalists, who have no patience with abstract debates about democracy or relativism: they simply go about their business of changing the world.


We need to learn from Corbin that the antidote to both nihilism and the dogmatic fundamentalism that is always constellated with it must come from a kind of positive deconstruction of the self in the vision of the Deus absconditum, the divine Beyond Being which is the source, the Breath that grants being to all things. Corbin writes,


Any metaphysical doctrine which attempts a total explanation of the universe, finds it necessary to make something out about nothing, or rather, to make everything out about nothing, since the initial principle from which the world derived, and which must explain it, must never be something contained in this world, and simultaneously it is necessary for this initial principle to posses all that is necessary to explain at once the being and the essence of the world and that which it contains… It is necessary…that this initial principle be at once 'all' and 'nothing'… [This] is a…nothing from which all things are derived. This is the Nothing of the Absolute Divine, superior to being and thought. 5

5 Henry Corbin (1981). My translation..


This Black Face of the majesty of Divinity is the essential counterweight to the Face of Light, the Face of Beauty of the revealed cosmos. You cannot have the one without the other. Majesty without Beauty is annihilation pure and simple. Beauty without Majesty would be an unthinkable Absolute frozen in eternal, changeless immanence - a permanent, horrible, all-pervading Final Truth. All of Creation is balanced between these poles, constantly created, and constantly undone in the divine interplay between transcendence and immanence.


The Absolute beyond-being is also, in the Abrahamic tradition, the Absolute Subject. The Giver of being can never be an object, a thing. In its infinite fecundity and mystery, its forever-receding depth and absolute Unity, it is the unifier, the guarantor of the individuality of every being. As such, it is the archetype of the Person, and of the interiority that infuses all the beings of the Earth experienced as an Angel.


It is the inexpressible Mystery of this primordial Darkness that it simultaneously establishes and shatters the human person. And it lies very close at hand. It is the still, small voice of the Hebrew Bible; and in the Qur'an, God says "I am closer to you than your jugular vein." Were we to learn this, to know that the presence of this absence is immediate, just beyond the face of the beauty of the world, we would need far less than we think we do. Our mode of being would be far less needy. We would know that scarcity and plenitude are complementary, not contradictory. We would understand the necessity of poverty as the prerequisite to the experience of the fullness of the world. For the things of this world grow opaque when we try to control and possess them, and they hide their connections among themselves, with us, and to the darknesses of the divine. They withdraw into themselves, lose substance and block our access to the riches at the roots of things. So our desperate neediness and grasping at the world and our fear of poverty and of the Dark close us off from ourselves and the worlds that we can inhabit.

*************************************

The above photo by Warren Falcon, "Oaxacan Magic Ten At Sunset With Contrail And Crescent Moon, January 2008". Click on the image to enlarge it.



Complete lyrics to Leonard Cohen's Passing Through:
http://www.sing365.com/music/lyric.nsf/PASSING-THROUGH-lyrics-Leonard-Cohen/5D7B678C2C73A3A148256AF000274430

Wednesday, November 5, 2008

Repose of Needles -- A Response To a Questioner Who Says She is Rotting Within, and Dampening



[Photograph taken at sculpture gardens in Princeton, NJ, July, 2008, by Warren Falcon. Click on the image to enlarge.]


This essay, Repose of Needles, continues last month's theme of Death while including the dimension of Questions and Questioning for this month's Learning For Life Group newletter topic. This essay is for my father.


Preludes:

Green, how I want you green.
-- Garcia Lorca

Not my hands but green across you now. -- Richard Hugo

All questioning is response, is memory ensconced in withered hands holding seeds...planting is a deed, an act, a contract with the Invisible Stranger in the Soil with Whom you could more easily relate...the Word, o father who waited and waited, Unheard now in the heart and Heart, It's appeal in Existenz insists some poor poetry-as-harvest from me, the ensuing Silence, then, not merely your pall but the shining palace in which the more dizzying gaze and the grizzled world splays the "stained white radiance"*** into "more deeply untellable stars".**** --W. Falcon*****

*************************************************

Dear LoRuhamah [whose name in Hebrew means, not loved, is not the questioner's real name but is the name, rather, I call my Anima, my inner feminine thus in this response I am addressing Her, as well],

It is precisely when the rot and dampening are most present that one can work the soil of one's inner garden...

You are mulching, LoRuhamah, mulching, which is rotting and requires the dampness of one's deepest and darkly rich sorrows and questions where in all that decaying the fertile nutrients for new life are derived; and from all other questions, too, of all whom we have known, currently know and will know and of those whom we have never known, do not know now and never will, remaining unheard, we also do not hear those contributing inquiries -- the silent screams of the crab, the unheard flutter of the fading bird, the unaccounted cries and gestures of the many creatures and plants going going going down and underneath into silence and ground.

From all this new life does comes, it comes bearing all the decaying hopes and dreams, the braying, the screams, the being reduced to numbness and cataleptic staring wonderingly turned into striving shoots of maize newly green, a sea pup mewling alone on a rocky shore, an old woman leading an old man with her cane tapping slowly a march onward into life, that emptying promise, the cycle of eternal burn and return of loss and gain, and the question again and again.

It is precisely when you are most bereft that a deft heart can discern in querulous prayers from pain and despair that which the heart yearns for, refers to, rhythms discerned once again, and felt, even if first in imagination. Life as it is in its spectrum of shades and bright colors, its subtleties, innuendos and inflections, twines forth a thin frail tendril not betraying the mighty force driving it toward the reaching sky and deeper into the cloying hurt which is dirt.

If you need to stand or lie in the shade for awhile then do so as farmers do, as did my father who farmed his despair in the hot sun then lay beneath a pine tree in cooler shade to rest and dream that his activity between dirt and sky meant some lasting thing in its doing even though he had ruined his life, distorted his children, his wife, and could not make it all right between them and himself between the mulch pile and his incessant weeding of literal weeds.
Between the garden and the untilled woods he would lay and rest, repose of needles and bark, the hot sun insisting its question slowly, night dawning when he could at last stand and return to his personal decay with a practical vision of green shoots to come. He could trudge up the lonely hill to the lonely house and will himself to life enough once again, speak some words to his wife, move widely around the silence of his wary children and live to be an old man whose loss of memory left it for me to forgive and live on in the rich rot of that ongoing question which nurtures me and his memory gracefully, haltingly on.

Astonished, I have arrived at love for him who hurt me most, have learned to enjoy the odor of decaying things, myself included. Within the decaying dream of staying, the tendril and my heart, my aging body takes on my father's form. I, too, like him am a farmer afterall when the tendril moves in its reach up and down, rooting and rising, which gives horizon.


Warren


http://www.pbs.org/wgbh/poetryeverywhere/kunitz.html#


*from Garcia Lorca's poem, "Romance Sonambulo" from The Selected Poems of Federico GarcĂ­a Lorca, translated by William Logan. Published by New Directions, 1955.
http://www.poets.org/viewmedia.php/prmMID/15432

**from Richard Hugo's poem, “The Lady in Kicking Horse Reservoir” from Making Certain It Goes On: The Collected Poems of Richard Hugo. Copyright © 1984
http://www.poetryfoundation.org/archive/poem.html?id=171837

***from Percy Shelley's widely anthologized poem, Adonais.

****from Rainer Maria Rilke's Duino Elegies, W.W. Norton & Company, Inc, 1963, J.B. Leishman and Stephen Spender translation.

*****from Warren Falcon's journal kept around the death of his father, Warren Falcon, Sr., in September 1998.

[With gratitude to Lynn who sent the link to the Kunitz poem which led to my being able to respond thusly above. Thanks, Lynn]
















Thursday, October 9, 2008

Blunted Inscriptions Of Impermanence

Walter Christian Schell - Died October 6, 2007


Life, like a dome of many-coloured glass,
stains the white radiance of eternity,
until Death tramples it to fragments.

—from "Adonais" by Percy B. Shelley

I now take such trampling seriously. It is October 7th, 2008 as I write this, one year and a day since my dear friend, Walter Christian Schell, died of cancer. He was only 45 years old. Upon awaking this morning all too aware of his death, I recalled Allen Tate's amazing poem on death and memory, hearing the first lines, old friends from my youth, inwardly spoken in my head:
Row after row with strict impunity
The headstones yield their names to the element...
It seems fitting to rediscover this for Walter who fled as a teenager to New York City from communist Romania seeking asylum, freedom, and eventual citizenship. Now in Autumn, in an election year rife with civic fragmentation, where each side of the see-saw considers itself the weightier and of greater value than the other, all the while denying the tilted Truth fulcrumed centrally upon a death's head, Death, the great equalizer of blue and grey, blue state and red, with memory conveys the once-were-living only too very late to art, to poetry, to stained cemetery angels, questioning sentinels leaning whitely into space, mere gestures in the dusk.
They conjure abstract eternity in our ears ahead
of our deaths as if we have already passed on.

Just what is it the meek shall inherit, after all?
Such is mythos, the inheritance, and the transcendence, of dirt—

First hurts hurt us into conscious selves, thereafter, the losses,
the embossing scars we call character-- glyphic scratches
on cave walls such are brain pans. Only the bones
remain which in their stiff muteness provoke the volumes
we call myth, religion, art, and history—

blunted inscriptions of impermanence,
precise and precipitous prescriptions for
living, we think, free while leaving that
"stained white radiance" stumbling, foolishly
surprised each time, into our grave or urn
greeted by "the conquering worm".

Tum tum ta-tum
tum ta-tum
ta-tum

ta-tum...

The Wheel of Life turns on.

Enjoy, fellow rememberers and perspirers, expirers all.

Carpe diem. Something like that...

This is for Walter Christian Schell.

Best to read this one outloud.




Ode to the Confederate Dead. By Allen Tate




Row after row with strict impunity
The headstones yield their names to the element,
The wind whirrs without recollection;
In the riven troughs the splayed leaves
Pile up, of nature the casual sacrament
To the seasonal eternity of death;
Then driven by the fierce scrutiny
Of heaven to their election in the vast breath,
They sough the rumour of mortality.

Autumn is desolation in the plot
Of a thousand acres where these memories grow
From the inexhaustible bodies that are not
Dead, but feed the grass row after rich row.
Think of the autumns that have come and gone!--
Ambitious November with the humors of the year,
With a particular zeal for every slab,
Staining the uncomfortable angels that rot
On the slabs, a wing chipped here, an arm there:
The brute curiosity of an angel's stare
Turns you, like them, to stone,
Transforms the heaving air
Till plunged to a heavier world below
You shift your sea-space blindly
Heaving, turning like the blind crab.

Dazed by the wind, only the wind
The leaves flying, plunge

You know who have waited by the wall
The twilight certainty of an animal,
Those midnight restitutions of the blood
You know--the immitigable pines, the smoky frieze
Of the sky, the sudden call: you know the rage,
The cold pool left by the mounting flood,
Of muted Zeno and Parmenides.
You who have waited for the angry resolution
Of those desires that should be yours tomorrow,
You know the unimportant shrift of death
And praise the vision
And praise the arrogant circumstance
Of those who fall
Rank upon rank, hurried beyond decision--
Here by the sagging gate, stopped by the wall.

Seeing, seeing only the leaves
Flying, plunge and expire

Turn your eyes to the immoderate past,
Turn to the inscrutable infantry rising
Demons out of the earth they will not last.
Stonewall, Stonewall, and the sunken fields of hemp,
Shiloh, Antietam, Malvern Hill, Bull Run.
Lost in that orient of the thick and fast
You will curse the setting sun.

Cursing only the leaves crying
Like an old man in a storm

You hear the shout, the crazy hemlocks point
With troubled fingers to the silence which
Smothers you, a mummy, in time.

           The hound bitch
Toothless and dying, in a musty cellar
Hears the wind only.

Now that the salt of their blood
Stiffens the saltier oblivion of the sea,
Seals the malignant purity of the flood,
What shall we who count our days and bow
Our heads with a commemorial woe
In the ribboned coats of grim felicity,
What shall we say of the bones, unclean,
Whose verdurous anonymity will grow?
The ragged arms, the ragged heads and eyes
Lost in these acres of the insane green?
The gray lean spiders come, they come and go;
In a tangle of willows without light
The singular screech-owl's tight
Invisible lyric seeds the mind
With the furious murmur of their chivalry.

We shall say only the leaves
Flying, plunge and expire

We shall say only the leaves whispering
In the improbable mist of nightfall
That flies on multiple wing:
Night is the beginning and the end
And in between the ends of distraction
Waits mute speculation, the patient curse
That stones the eyes, or like the jaguar leaps
For his own image in a jungle pool, his victim.

What shall we say who have knowledge
Carried to the heart?  Shall we take the act
To the grave?  Shall we, more hopeful, set up the grave
In the house?  The ravenous grave?

               Leave now
The shut gate and the decomposing wall:
The gentle serpent, green in the mulberry bush,
Riots with his tongue through the hush--
Sentinel of the grave who counts us all!
http://www.poets.org/viewmedia.php/prmMID?15303

From Selected Poems by Allen Tate, published by Charles Scribner's Sons, copyright 1937.


Death Surprises Death and Spectators In Apizaco, Mexico Corrida (Bull fight arena)
Video by Warren Falcon (shot in Apizaco, Mexico in January 2008)



Luis & Monica Day of the Dead Dance (Watch Who Comes To Dance At the End Just Beyond the Flores) Video by Warren Falcon (shot in San Pedro de Etla, Oaxaca, Mexico 2008)