Wednesday, February 26, 2025

"Hell Has Value" - Four Cantos On Anger, Madness, And the Daimonic - REPRISE from 1/2013



Hold back the edges of your gowns, Ladies, we're going through hell.

-- William Carlos Williams from Introduction to Howl by Allen Ginsberg

Perhaps I might say: I need people to a higher degree than others, and at the same time much less......because there was nothing left which would link me to them...
-- my rearrangement of quotes from text of C.G. Jung immediately below



Canto 1 — The Daimon According to C.G. Jung

I have had much trouble getting along with my ideas. 
There was a daimon in me, and in the end its presence proved decisive. It overpowered me, and if I was at times ruthless it was because I was in the grip of the daimon. I could never stop at anything once attained. I had to hasten on, to catch up with my vision since my contemporariesunderstandably, could not perceive my vision, they saw only a fool rushing ahead.


I have offended many people, for as soon as I saw that they did not understand me, that was the end of the matter so far as I was concerned. I had to move on. I had no patience with people aside from my patients. I had to obey an inner law which was imposed on me and left me no freedom of choice. Of course I did not always obey it. How can anyone live without inconsistency?

For some people I was continually present and close to them so long as they were related to my inner world; but then it might happen that I was no longer with them, because there was nothing left which would link me to them. I had to learn painfully that people continued to exist even when they had nothing more to say to me. Many excited in me a feeling of living humanity, but only when they appeared within the magic circle of psychology; next moment, when the spotlight cast its beam
elsewhere, there was nothing to be seen. I was able to become intensely interested in many people; but as soon as I had seen through them, the magic was gone. In this way I made many enemies. A creative person has little power over his own life. He is not free. He is captive and driven by his daimon.

"Shamefully"
A power wrests away the heart from us
For the Heavenly Ones each demand sacrifice;
But if it should be withheld
Never has that led to good?


says Holderlin.

This lack of freedom has been a great sorrow to me. Often I felt as if I were on a battlefield, saying, "Now you have fallen, my good comrade, but I must go on." For "shamefully a power wrests away the heart from us." I am fond of you, indeed I love you, but I cannot stay. There is something heart-rending about that. And I myself am the victim; I cannot stay. But the daimon manages things so that one comes through, and blessed inconsistency sees to it that in flagrant contrast to my "disloyalty" I can keep faith in unsuspected measure. 

Perhaps I might say: I need people to a higher degree than others, and at the same time much less. When the daimon is at work, one is always too close and too far. Only when it is silent can one achieve moderation.

The daimon of creativity has ruthlessly had its way with me.
The ordinary undertakings I planned usually had the worst of
it...
— C.G. Jung, "Memories, Dreams, Reflections, pg. 355-357, Vintage Books, 1989


Canto Two — Of Madness

What's madness but nobility of soul at odds with circumstance? -- Theodore Roethke

What I find most astonishing -- aside from that belief of mine, which never ceases to surprise me by the very fact of its surprising lack of pleasantness, the belief that I might very easily -- as they say -- lose my mind one day, not that I suspect I am about to, or am even...nearby...for I'm not that sort; merely that it is not beyond...happening: some gentle loosening of the moorings sending the balloon adrift -- and I think that is the only outweighing thing: adrift; the...becoming a stranger...the world, quite...uninvolved, for I never see it as violent, only a drifting...But I could never do it -- go adrift-- for what would become of you?
— Edward Albee, opening lines from A Delicate Balance, A Play In Three Acts, Samuel French, 1967


I wish there was something practical I could say about madness.

To change only one word in a line of poetry by the late Anne Sexton for the purpose of my own attempt at a practical essaying on the topic at hand, "I was born doing field work in madness," which I suppose has it's own practicality, some Devil's, nay, Daimon's Primer imprinted, though not in literal print, in every human brain and spine. For all this hissing amiss and gathering at lost craw-es and these grizzled grists for Blakean Satanic Mental Mills, in madness the "Daimon's in the details", drivel and dervishes prevailing.

Carl Jung, the innovative Swiss psychoanalyst and writer, a veritable Wheel Turner, speaks much of this, of the daimon, of madness, of mentations foments, and a very many have discovered that there are threads in, methods to, madness; indeed, there are myths in madness, "myth-ods" (to be wordly playful with emphasis on the -odds), so the meanings therein need to be attended to, mid-wived, espied via spurious spectacles to scry between worlds, the "normal" consensus world and that of the unconscious which has its own ever-shifting "norms" in terms consistent internally and infernally to itself.

Practical things to say about madness and its myth-ods are hard to come by, at least for me, therefore I can and will speak only of my own madness and of some of my experiences with the madness in others. We do have recourse to religions of all sorts, to artists from bone carvings to cave walls, to castles to museums, to madhouses to mausoleums and the marbled warbling more-- those poets and writers like Nagarjuna, like Jesus, Shakespeare, like Blake, like Joyce like Gertrude Stein, like so very very many gone naying neti neti before us here now in rumored, malhumoredmillenia-wired primal primers in mind of mind on Mind, of going beyond it by going more deeply into It.

Madness justifiably disturbs us so much that we invent, and not with bad intentions, theories and techniques about mind and mental illness, we concoct noxious potions and potages to reign it in, to explain it, to take the reptile-filled smelly sump of human soul, fortunately not the only place on the human soul map, and drain it, dry it, then return the once-were-mad ones, ourselves, back to consensus reality, two lumps of sugar in the tepid tea and nevermind that a tree swaying just out the window at twilight menacingly or mercifully becomes in cornea-corners and viscous-veined eyewebs an ever-maker soft-soughed shaker of mind.


Squint - or so named in a dream in c19 2020

Canto Three — "Hell Has Value," A Monstrous Mad Confession

Was I too glib about eternal things? — Theodore Roethke

The daimon throws us down, makes us traitors to our ideals and cherished convictions -- traitors to the selves we thought we were. — C.G Jung 


Sixteen years ago I had my clearest image, my decisive and momentous encounter with my own daimon.

I always intuitively knew it was there within me, that resistant, oppositional force with it's own agenda and power which Christianity, comparative religions, alternative religious studies/flirtations--those collective/commercial-minded, hibbity-glibbity, complacent, Hallmark card-like, spiritually materialistic, patchwork confections' pirated spiritualities, techniques, psychologiesphilosophies, gimmicks and formulas reduced to psycho-sanctimonious charm schools and avatar making programs, presentiments and presentations--of course, all the better should they spawn "Spiritual" Best Sellers topping that media/Madea mystical "Oprah Book List--could not redeem (nor enlighten, New Age sugar glaze, namaste, "bless" or placate with scriptures, dogmas, cryptics, affirmations, channelings, past life regressions, soul retrievals, and yogically pretzel all prana-ed-in-denial) my longsuffering, enduring daimon. So much for all my sincere Michael Jackson-esque Mystical Moonwalking toward imagined transcendence-of-the-dusty world and, of course, according to the gurus and values of all those systems and pseudo-systems, to quote my mocking Daimon, "I done them all wrong."

This, my daimon, when I finally saw him, was a dark, underworld Grendel-like creature whom I saw hunched before me while crossing the street at W. 91st and Central Park West one day heading reluctantly and resentfully toward a professional commitment that I had come to loath. I realize now it was the daimon's loathing and my ego was finally catching up to his dark awareness and wisdom that the dream of transcendence, as that daimon-possessed bard John Lennon once sang, that "dream is over".

I stopped mid-street and said outloud, "I SEE YOU!! What do you have to say to me?!"

A car horn blared as I dodged and scuttled to a park bench with 5 minutes to spare before the dreaded meeting with "the Holy Pokeys" as I had come to call my now very alienated once-were-compadres for they were convinced that their sanctimonious boundary-disrespecting, insistant poking at my and each others inner privates and vericose vicera was good for me and them when I and the daimon knew it was an elaborate form of psycho-spiritual entertainment of egoic proportions mimicing transformative encounter while actually being a form of Jerry Springer-like pornographic display baring and spilling one's most sacred and secret guts naively, lamb-dumb foolishly, luridly and self-destructively before undeserving others in desperate need of a presentiment of community, family belonging, "process" and purpose but nakedly was more about POWER OVER--prurience by any other name...

Hastily seated I asked again, "What do you have to say to me?"

Daimon
 answered, "I fucking HATE spirituality!!!"

I burst into mad laughter for he had named an as yet inexpressible and yet to be expressed difficult-to-own truth that I had yet been able to own up to much less confess to another and mosts certainly not to the "Holy Sm-others". As he and I spoke he ragefully told me that I had kept him "in the deepest and darkest depths of Hell" and I knew when he said it that this was true. I wept for I had been very much unconsciously identified with him as him, a persecutableand persecuted monster. He hated spirituality which would not at all embrace his essential instinctual energy, "SACRED ENERGY!" he screamed. I knew then that I would have to remove myself from all so-called and supposedly spiritual affiliations professionally and inwardly introjected. Excising/integrating these introjections proved, and still does, to be difficult, slow, stubborn and tenacious work. These had served as rigid character defenses propelling me away from the depths, material, psychological and instinctual.

I told the daimon that I did not know how to work with and for him but that we could try to find a way. I also knew, and he confirmed, that our work together would offend myself as I knew myself to be as well as many others I had once been associated with personally and professionally. "Was I prepared to lose all this?" he asked. Already miserable I said, "Yes." I then said I wanted to take him out of Hell. To my surprise he told me that I "should not and could not lose the Hell realm. It has tremendous value to the soul but humankind has not been able yet to assimilate this aspect of soul much less acknowledge any value to it." This got my attention!! Having been born into, bred into, and educated into a Christian Fundamentalistchurch and culture (this permeates all of America and not just the South where I am from) where Hell has no value to humans unless we're cursing others to go there and has value to a rigidly "just and exacting deity" (Jehovah) I was "all ears."

This new of the value of Hell was meat. This was heavy draught. This would not be easily chewed on but chew I would and I intuitively knew of the correctness of Daimon's view. Jung apparently had arrived at a very similar understanding (see his book, Answer To Job).

I have yet to assimilate Daimon's wisdom on the above but this is my personal meat and drink and most probably my ongoing life task to work till the end of my days (See Canto Fourbelow). My Daimon is obviously NOT a Judeo-Christian, neither is he a New Ager, a New Thought Mind Cure"bliss-ninny" nor of many others. Actually, he's more of the ancient religions of early human history, more Greek or Roman or Norse. There is a conscious cave return, an open eyed descent into the underworld, the nether places where Daimon has hurled angrily at the sealed gate keeping him in the dark carrying all our disowned and projected darkness in our Icarus-Angel flight into the sun trying to obliterate our Night-selves.


James Hillman's book, Dreams and the Underworld, deliciously explores the dimmed yet dynamic dimensions of the Nightworld, the mythic unconscious where upon entrance there, says Hillman, human Dayworld values must be left behind. In the Nightworld, in Dreamtime, in the Unconscious, the world of daimons and more, one enters often kicking and screaming or-- dangerously to self and others--New-Age naively, to encounter a more accurate and politically-incorrect-to-the-ego-and-dayworld-values view of what individuala and collectives really are like. Because, according to Carl Jung, dreams are ruthless, "impartial facts" from the objective unconscious many people resist them knowing that if taken seriously their whole view of self, other and reality will be profoundly altered and not so readily wrestled into the every narrowing corrals of (dis)positivity. Out of site in this case guarantees out-of-their-mind yet apparently sane and cool dimentias for the daimon will out, the nightworld will out by any means necessary and cares not a hoot whether one smells of light and sandalwood, yogically stretched yet still karmically kvetched as shadow projected eventually, finally-had-enough, turns like the whipped dog and bites.


Inasmuch as you say these creative forces are in Nietzsche or in me or anywhere else, you cause an inflation, because man does not possess creative powers, he is possessed by them. ~Carl Jung, Zarathustra Seminar, Page 57.

In Michael Eigen's immensely wise and helpful book, The Psychoanalytic Mystic, in a section describing the function of faith in psychoanalysis and therapy work he speaks of "the explosive or catastrophic potential in every therapeutic encounter" (page 124). This is certainly so in any encounter with the daimon. Therapeutic work implies the goal of becoming conscious and making consciousnessthus a conscious explosive/catastrophic encounter with the daimon is an inevitable arrival in good, and extremely patient, therapy. Eigen describes William Blake's Heaven, a similar description which my daimon depicts of Hell as does Hillman in his book on the underworld, "William Blake describes heaven as all out war between every human capacity in which all have their say without compromise yet incessantly enrich and are enriched by others. Here faith functions as a boundless or infinite container (pages 124/125)."


The Demonic In Groups When The Rejected And Projected Daimonic Raises Its Head

I have without exception personally repeatedly found that "containment" in overtly identified-as-spiritual groups to be the exact opposite of Blake's description. The so-called "spirituality of the "spiritual group" and it's leader demand an absolute merger usually with the leader and her agenda on the leader's and the merged-with-the-leader, obedient group's terms. If one begins to e-merge and individuate from that leader and her group then an e-mergency ensues where usually one is identified as a kind of virus, a faction, and is thus scapegoated and run out, excommunicated or fired. The pathological narcissism of the powerful charismatic leader or leaders are daimon-identified (meaning mugged by the daimonic and thus are unconsciously acting inflatedly demon-maniacal). Being unconscious of one's daimon and of a group daimon makes all vulnerable to powerful, numinous upsurges of the daimonic. There is indeed an archetypal energy afoot but not necessarily all-good and "spiritual". The leader appears to be all-good and to do everything, even process, the received "right way" but without authentic recognition of shadow the followers and underlings in the group are assigned the task of carrying the shadow of the leader who usually can find no shadow in themselves when inevitably there begins to be "trouble in her paradise." This inability to find the shadow is willful, very toxic and pathological. And, maddeningly, the leader or leader- identified group experiences her/itself as victims of that one, carrying, often naming the shadow, emerging from the group trance and individuating away from it.

Heaven or Hell or, rather, heaven and hell--for there is not one without the other--divine warfare between human capacities as well as transpersonal powers vie for conscious attention and relating to within the individual and the group. Humans, flawed as we are, have the very slow yet gradually growing capacity for consciousness which is within and partakes of "a boundless or infinite container," the Self, Atman, or any number of words attempting to approach this mysterious yet palpable, experiencable even though unnameble hold. I stress the need for the ego here in this operation, this alchemical operation, this warfare of human capacities "which enrich and are enriched by others." Thus the essential importance of recognizing one's daimon and working with it. And acknowledging that it is and will ongoingly be very messy so let us not sanctify "cleanliness" especially in psychological soul work no matter where one is forced by the daimon to do it.

Psychology has an ongoing fantasy (and by fantasy I mean a very real image moving up from the very real psyche into the imagination of an individual and group) of "integration" of part-selves, daimons, shadow, personal history, historical events, personal, collective and transpersonal powers. Some integration is possible but it never ever complete. Our capacity to dream and in dreaming encounter the nightworld reveals an intrinsic faith in the Psyche and, weakly, in ourselves of a boundless, infinite container which holds heaven and hell dimensions in expressions of external and internal existence.

New Age spirituality and pseudo-psychology, most historical religions and some cosmologies oriented toward transcendence reinforce the split in humans between these heaven and hell dimensions. "A boundless or infinite container" holds, endures and cooks (in alchemy the cooking vessel is hermetically sealed and firm) both dimensions (the opposites) and from that intense and searing conflict consciousness grows. The human being contains and is the vessel of this divine conflict enduring, tolerating, at least trying to, the intolerable stuff of self and Other/other. The fantasy of tolerance, too, though ideal, is inimical to material existence which is born and fabricated of and from conflict. Realistically, humans can barely tolerate themselves much less the other but, and I take the following after W.R Bion and Eigen here as an object of faith) there is a boundless, infinite container to and within which I can only bow to and be grateful for for I am an often intolerable mess of warring capacities and contradictions ala Hillman as it is the very nature of the soul, says he, to pathologize .

All this one endures or must try to endure. When wide awake to the fact that the soul pathologizes one is humbled and liberated all at once to live more freely one's creaturely instinctual self less addicted to transcendence becoming more embracing of the givens of human existence, more embracing of the noble and tragic creatures we humans really are. As Ernest Becker accurately says in his always astounding book, The Denial of Death, we are creatures who cannot get over the fact that we are [conscious, creative] "gods who shit!"

W.R. Bion says that the tragedy (and hope) is that humans are creatures--who have indeed evolved up from animal consciousness enough to intuit/know where it appears we may be going but our bodies and nervous systems and psyches--haven't evolved enough yet to handle the tremendous animal drives which still demand and command us all the time. Ken Wilber accurately calls this our present Centauric condition, our being at the centauric level of consciousness, half animal/instinct/unconscious and half human/rational-creative/conscious. We are awake now to both and must endure as best we can the conflict of these opposites that we are. I take comfort here in Gabriel Marcel's homo viator to soften Bion's, I believe, accurate assessment of the human species; we are, as Marcel has it, viator, humans-on-the-way, still evolving or, as centaurs, still trotting along.

With Becker's insight in mind, any inflation humans have is confronted by this insult of being "gods who shit". To think we are gods is to be inflated and thus to be gods who shit, says Becker, comes as a shock to our nervous system and its conscious dreaming of itself as humans. However, I find that the dream of the infinite, boundless container is an image of the alchemical container mentioned above in which the prima materia, the primal stuff, the "shit" begins to be cooked and ultimately, so the alchemical fantasy goes, is transformed into gold which signifies greatest value (which is an ever expanding hold which includes and does not exclude shit). Jung's discovery of alchemical symbolism in psychotherapeutic containers helps us, gives us faith in transformation into fuller humanity and creaturehood more consciously containing, tolerating and incarnating archetypal forces. Perhaps that which is most transforming is the growing awareness of the infinite boundless unbreakable container which holds the heaven/hell of Nature and Consciousness, of warring human nature within and without. An intuition of, an experience of, the cosmic hold is transformational indeed and reinforces faith in not only the value implicit in the very struggle to endure much less transform but in very existence as it is itself. Eigen says, "All (warring) capacities find their place within a primary faith."

I call this primary faith animal faith, the kind of faith that the animal has, say, when after the lion has hauled down one of its own; the herd just a few feet away from the mauling munching lion bends their heads back to the grasses to also feed life. That bending to the grass is the statement of faith: "Not today, Death. I live and eat. And shit. And I run when I must." Animal faith assumes, contains, that facticity that life/death goes on. Creation and creatures continue. All are contained in the boundless, infinite container which is not static but alive Itself, ever forming from universal material givens.


Some C. G. Jung quotes to nuance what follows
from Jung's Seminar on Nietzsche's Zarathustra 





Dys-Canto Four"Ecrites de l'Enfer" - Pere Bleubols Writes To The Bishop


God has knowledge of the opposites but not the experience of their effect. He has experienced only their peaceful unity...The repressed value contains transformative energies and a consciousness of its own; that to achieve consciousness and discover the nature of one's own inferiority it is at times necessary to go against one's own ego-dominated commandments.

-- Charles Ponce, Working the Soul, pgs. 68-69

Dearest Bishop D'Boue* -

Thank you for the subscription to the science journal. You are correct that I find the new science tempting and attempting whether consciously or not to come to terms with aeons of intuition that there is more to Reality and humans place within it that meets the eye or thigh...I reread your letter with great relish and with great appreciation for the tremendous patience you have with my ongoing battles 'twixt heaven and earth. This, as you know, is still the battle of all humanity caught between the animal instinctual and the rational/spiritual...

...Have been in a 'hermit' phase since the recent Trial and the Purgings...already a spiritual exile long before the Inkling Inquistors I now am more than ready to move to my own self-chosen Patmos...I am a mendicant now, without real temples to kneel in...to quote once again my beloved Rimbaud, "Ah, I am so forsaken I will worship at any shrine impulses toward perfection," only the word perfection, as you know, you who bothers with the roots of all things including words, this misused word actually means complete, as in evolving in space in time, ripening like fruit, into maturity and readiness...

...I dreamed last night I was in an old European city, CopenhagenStockholmBrussels, Bruges-type city, late 1800's (gas lamps in the streets)...old dark city, heavy with something or other, some spirit/zeitgeist...I was some dark powerful man/force whom the zombie/daemon/vampire-like creatures roaming the city ignored since I had some of them, their energy, in me or was partially of them (a hopeful indicator, I think, of ongoing shadow integration) which allowed me to safely deliver a mother (my mother in the dream but NOT my mother in waking reality) and her son (just-adolescent, perhaps my baby brother, about 13 y/o or so with that fuzz just beginning over the upper lip) to a "safe house" owned by a still beautiful, late mid-aged blond/graying woman of magnificent eyes and bearing. She was the widow of a powerful man and prior to whatever had befallen the City was the 'queen' matriarch of society but not superficially...she had bearing, depth, wisdom, had suffered and was suffering but bore it with dignity though with concern and pain. She looked like a combination of my late and beautiful friend, Mdm. M., who died last December, and Madame Curie and some Nordic actress or other whose name I cannot recall. I was compelled to leave having accomplished the delivery of mother and son to the safe house.

The Boschers, as I now call them after demons in Heironymous Bosche paintings, look like enfleshed gargoyles of various frightening visages and bodies. They loaded dead bodies into vaults underneath the cobbled streets...they didn't even give me much notice as I comfortably passed by them. At some point they were stacking old blown glass laboratory tubes (like from science lab equipment of late 1800's) in which a forearm or lower leg with foot attached were sealed for future feedings/experiments.

I was a tall, dark, pockmark-faced man with long flowing black hair, caped, black expensive breeches/clothes, with shiney black boots moving quickly with purpose somewhere away from the safe house. At some point I was wearing expensive running shoes/sneakers, silver in color, very designed (like a lot of contemporary sneakers the new Droogs wear now), which enables me to leap easily, almost weightlessly over barriers, up rocky hillsides, leap down from high places...my arms easily grasp tree limbs, balcony railings, bars, eaves, bricks, pipes through the city propelling me over the streets below, over rooftops, to get quickly to where I was going (of which I am not sure in the dream).

I am of the "dark side" or have enough of it consciously in me now (rather than unconsciously) to allow me to move through the city, the countryside, the continent now full of the Boschers and other daemons and vampire/zombie-like beings going about the work of science...I am to assist both sides, Boschers/other underworld beings/forces and the humans, in this difficult transition during the upsurge of the repressed chthonic underworld beings, energies, creatures (brought about by science, Freud, Jung, etc.), the repressed content of the human and collective unconscious now erupted into the once safe, secure Victorian Christian heirarchical society where church and state and high social "crust" dominated the proletariet, those earthy, instinctual, "morally lower" and mentally/spiritually inferior (or so the power and spiritual elite thought).

I suddenly realize that I left my traveling bags back at the safe house/manor which apparently had some necessary things important enough for me to quickly turn around to retrieve them. Upon entering the safe house (passing two Boschers still stacking the human flesh-filled glass tubes under the cobbled street in a vault...I picked up two tubes in passing and tossed them to the Boschers who caught them and stacked them, me helping them out as I passed) the Dame of the House, the majestic beautiful woman who once was top of the socio-political and literati/philosophical strata of the city and the nation, looked at me with concern and pain in her clear piercing blue eyes...she turned away toward some slow and heavy task and I went to my bags intent on my 'mission' whatever that was..."no time to comfort her...must move on..."

I can easily reenter this dream and continue it...it is very real...I can sense, hear, smell, feel the ambiance and the mental/spiritual air of the time and place, the city and the period it all is taking place in. I am both good and evil, conscious and unconscious, human and Boscher (partake of the underworld realm)...the post-modern sneakers, silver colored, allude to the god Mercury/Hermes who is the traveler of and between all the realms, who is criminal and saint, who plays both or all sides, who has some mission of developing consciousness which does not exclude any realm, upper, middle, lower nor values from evil to good and all between...I move swiftly, a kind of flying, earth flight, low to ground but in flight and touching the earth lightly

...a whole era/aeon is undergoing a tremendous shift and it is a troubled, troubling, dangerous, violent, reactive time...Science has unsettled the old paradigm of God on His throne running the universe with the heirarchy of good and evil and His powerful Representatives on the Earth, etc., whereas the Boschers serve the "god of Science", the Lord of this World, eating/dissecting the human body, matter, reducing matter/Mater (Mother) to objects of research and knowledge, reducing or rejecting 'spirit' and 'soul' altogether, actually repressing 'spirit' and 'soul' by reducing these to rational scientific explanations as functions of chemistry and 'laws'). I stride between and within both paradigms, old and new, more of the old where magic silver shoes can help one 'fly', where being partially of the dark forces allows one to pass unharmed, even to assist, the Boschers and other dark ones experimenting compulsively urged by the emerging zeitgeist spirit/god of science/rationality which is the 'New'...yet the 'New' foolishly, inflatedly "thinks" it is not a part of or beholden to history, the past; it hovers, if you will, born like Athena from the head of Zeus, without mother, without history, full blown/full formed with no moral obligation to history, to matter/Mater including humans or Nature...Nature is reduced to an 'it' to be crafted to serve only the human will/ego...but the Boschers are driven compulsively to have what humans have, capacities for consciousness, emotions, subtleties, spirit, empathy as yet unable to fully integrate/embody these human things...

And your letter with the subscription to the Science Journal open a deep[er door to the scientific realm at least 100 or more years ahead of where my dream has me, late 1800's, as the European civilization begins Its outward decay/decline with the release of the unrepressed instincts and shadow surges up in individuals, cultures, nations, continents...all this the necesary antecedent to new consciousness incorporating past and the 'new'...

My gargoyle self in now fleshed out and moving in this dream...his mission? help the mother and the son, the Dame of the House, AND also assist the Boschers/dark ones in and through this transition, these rough beasts "slouching toward Bethlehem to be born" (W.B. Yeats in his poem, 'The Second Coming').

Synchronistically, while sitting at the Cafe Rue de Repos rereading your letter today, writing, reading, amplifying the dream, watching it unfold imaginally, writing it all down, an old still elegant though faded Victoria LTD automobile parks right in front of me, old world splendour of a car, large, cadillac-like, jaded copper/gold color green tinged--that verdigris "micturation of metals" that the alchemists speak of. The man driving it got out and I was shocked to see an older version of the tale dark man who was me in the dream, complete with badly scarred/pocked face, thick dark brown hair pulled back into a pony tale. He wore black boots, black jeans, dark brown shirt and a gold embroidered vest (having an Eastern European/romani flare to the design)...he looked part native american and part Romani/gypsy...I noticed on the large dashboard in the car interior were two black and white European-style images of the Our Mother (not the Virgin of Guadalupe whom you know I adore) along with what appeared to be a sacred card with a red felt frame around a red-lettered/printed prayer.

The driver went to his car trunk, opened it revealing full bags, unpacked scattered clothes, and a bottle of red wine, an Italian vintage whose label I recognized, inexpensive but sufficient for a boiled potato meal, or something like that...he fished a coat out of a rag heap, closed the trunk, put it on then reopened the trunk to adjust the wine bottle further into the rags, clothes and papers (so as not to break from the closing trunk?)...he walks away...watching all this the hair is standing on my arms and my neck is all prickly...this is too too passing strange...he looks just like the man in the dream who is 'me' only maybe 10 or 15 years old, my age now, late 50's/early 60's, but large, in good shape but for a bit of a middle-aged stomach and hips but barrel chested and strong with a powerful aura like a medicine man or wizard where Rasputin meets the Righteous Reaper and the Dear Savior, sharp clear eyes, shining...

I tried to see the car tags as he later pulled away but looked up too late from my writing to be able to make out where he is from...Canada? Wisconsin? Couldn't make it out...damn. I half expected to find him parked in front of my quarters in the church yard upon return home. Not.

This dreams seals it...there is now no wonder why I could no longer be in the Enclave d'Esprit Spirale which inflatedly thinks it can be "all Light", naively spiritualizng Nature and the Chthonic forces of which I believe the Boschers represent in the dreaml. To what purpose can I turn or guide, if at all, the Boschers and other related 'ill-k"? Who leads all this if it is One Entity at all? or some greater force partaking of Dark and Light, some Archon, some Entelechy experimenting, forcing, thrusting, using human consciousness to what purpose which moves manipulatingly through what humans call "Good" and "Evil"...we personify the Powers/Archetypes but these ultimately defy such personifications which are images and embodiments, hints and conjectures with hiccoughs of their work/way/will under the push of the Force...

...In this dream I leap from hill to roof to cliff to church ledge equally at home in the boulevard and the hedge, the city and the valley creche (cradle), the height and the hole; I feel something for the mother, her son, the Dame, the human bits and parts parceled and packed, parked under the cobbled streets but the feeling/emotion is remote and subject to the detached overview and perspective of larger Vision/Mission--Impersonal Forces are at work in the World, in humans, too, almost especially so, therefore sentimentality is dangerous though compassion is not although I cannot stop to comfort or explain (if I know at all) what is going on and wherefore to the Dame of the Manor. I must to my bags then swiftly fly off to some as yet to be known by me the dreamer though the dream Bluebols knows or at least intuitively leans toward the place, destination, further mission...

To be continued. Must be noted that the dream Bluebols was not inflated, not full of himself at all though he strode with magnificent confidence, authority, power and assurity through the city and the world. There was no question as to right to exist, purpose, no 'moral confusion' but a sense of ethical obligation to the Forces and the creatures born of such, human and otherwise, a mediary between what appear to be opposing worlds/energies, the Opposites Jung wrote so much about.

Please accept my gratitude along with my apologies for sending you all this and taking up so much of your time. It aids me so to know you are constantly present to receive my rantings, my prayers, my quandries with such equanimity and genuine interest. I am forever indebted and grateful.

Yours humbly and darkly,

Pere BB

Boue means mud in French




The animal we are 
reserves just rights 
to complain - 

empty bellies, 
encroached territories, 
crotch urgencies, 
skin withers, 
fur falls - 

brittle goes the bone, 
so small the gathered human corners, 
so great the needed mercies.







Wednesday, February 19, 2025

In Pursuit Of or Flight From Holy Insecurity : "The Edge Is What I Have:" - Walking Thru Views Past From Present (Very) Old-ing Age

Rooftop snap. East Village, NYC. June 2024

[Note: All photos, even the quotes - screen grabbed - are by moi.  Click onto a photo to enlarge it. - W. F.]

"Yourself no doubt
looking like one
who has been a great beauty." - Charles Reznikoff 

"It seemed like the gargoyles of Notre Dame/ Started yelping." - Vladimir Mayakovsky, from "A Cloud In Trousers"

In Pursuit or Flight from "holy insecurity" - Martin Buber's sum of his philosophy.

1998 or 9, I was in Mirepoix, France near the Pyrenees...went into the massive cathedral there and greatly enjoyed this seated character...I got a post card of him and knew that for me he represented the shadow of the psychoanalyst/therapist...if one counsels, shrinks, helps in such a capacity then one must must must locate this cat within, the shadow of counseling/counselor or he/she's bound to show up in session and then there's a whole lotta work to do.

So did, or started, earnest, burntish, TCHAIKOVSKY tattooed where sun ain't shown, "Pathetique" the middle name so, yeah. I did. To NYC from Blue Ridge broken edges fled. For Harlem, West 142nd, off Broadway. 1980 ought 1.

Forced out of orchards and streams to Hudson Rio nigh cuz someone or some malformed thing in me had to go, to flower-wither, to summarily croak, so plans were made whence and whither, lodgings arranged, Harlem 1980, Koch era, the internal wilderness wander further ensuing urbanly hardcore, Basho's book in my coat pocket just in case I needed a reminding map, in upper-upper Manhattan where mad Garcia Lorca once fled the sorrowful fountains of Spain to roam awhile before his return to yellow feathered assasins and an invisible grave,

"...some say the crime was in Granada" :
Friends, carve a monument
out of dream stone
for the poet in the Alhambra,
over a fountain where the grieving water
shall say forever:

The crime was in Granada, his Granada."
- Antonio Machado, from "The Crime Was In Granada"

I was "spelled" like Lorca by old bricks squalid beauty grimed, each a story told, a private gesture open to witness, mud memory mute and chrysos, sonambulant subway pitching interminably forward, graffiti scrawls clutching after a bit of fame or notoriety into what was still a pandemonium most pentecostal long ranting after dark, jazz, salsa, merengue nights gore and glory dispatched from cars, windows, stoops, sidewalks, "Thriller" and Tina Turner's question "what's love got tah do with it" my new enforced mountain-exile meditation - children's play, all ages, 3 a.m. hydrant fountains bodies hot hard in lamp glow orange apocalypse by river curl following apparitions native barks and Dutch long ships sails-full passing West 142nd, blocks south looms Cathedral Divine Saint John's hang, just beyond reach of workers, trabajadores, immigrant occupants who north of 116th street earnestly try to migrate joys few coins rolling in gutters, millions passed and passing by overlooking the Christ, hungry abject crowds, slogging for the American dream,

"I have the money and can pay for the past." - Richard Hugo

Wasn't all this redeemed/revalued a long Palestine ago? The crysos of Church and churches remains more that of fools and not of the Christos. There's much to blame. Still, I'm a gargoyle perched-a-ledge mis-churched and worn, God of the Western and American world stuck in my craw, a lightning bolt bolted to my left paw beside near-dead Aquinas-Saint about himself/his work lifelong, the Summa and more - the Church more in mind and himself in terms of the real value of all his theologizing - "All straw! All straw!" wrote he about all his writing a year before he died , and never spoke or wrote a word more.

I shall be dirty with righteous indigence, 
only the gods to blame - they love a good 
argument anyway. Why should I disappoint? 


“... only boldness can deliver from fear. And if the risk is not taken, the meaning of life is somehow violated, and the whole future is condemned to hopeless staleness.” - Carl Jung, from Symbols of Transformation


Straw Man Cometh More Scare Than Crow

For this reason though, post-Christian, pre-Manhattan, I had hid, nay, sequestered mad-enough in mountains tall, stalled, a being-not-yet. Bequestered and confundidated. Hiding out in Nature's beauty was all I then could do. So I waited for Mister Godot. Until He showed up a cheap bordeaux would do. And reading the nights slowly through.

Till the "Go way" notice came.

And I went. Skidaddle n addled, "thrown" as Sartre would say, into voiditude despite uncountable and accounted for, meaning-wise, filler.  

"Spilled" nor "spat", I di'nt stay where weren't wanted so packed the Chevy van and rattled north to Manhattan - a kind of suicide since having tried to leap off a cliff in the Blue Ridge intent to end it all, 

when, sudden, just before stepping off to finish the "thrown" "spilled" "spatitudeinous-ness mess", I heard behind me a male voice say, OUTLOUD (twas in my head but externalized as psyche does do),

"You know you are a dead man already."

WHAT? WHO? WHERE? - me.

Spin stun spun (not spit or spat) around to see what man spoke so near to my right ear.

NO ONE THERE. NARY, I'll swan.

Sez he- "If you're ready to jump, and you are, the decision's made,

you are a dead man already.

Me (thinking) - OK (makes sense sorta re: to mortar or not) but what's going on? How can....

Sez he - "So you're dead, you've lost it all,

so what is the riskiest thing you can go after since you are now, dead, risking nothing.

Me - Hmmmmmm. I slow ponder, but in nanoseconds.

I finally hear myself say out loud - "New York City [really was/is a kind of suicide]."

"Well?" - sez He.

In that cliff's edge razzle I slowly backed away, be-stounded, relievéd, knew I would have to do "the deed", pack up my toil and tent and hie thee hence. Get off the barbed fence and head out, rust or bust, wing dinged and a pauper's prayer-ISH, for North. Or Nawth. Forsooth for forsaken missing a tooth, mawish, mawkish, van's spark plugs stuttering all the way. Cough cough chuggin' tepid roadside coughEE, Brewer and Shipley cassette on endless play - Rock Me On the Water:

https://www.youtube.com/watch?v=lpMuzOR3Z-w

My good friends there in Blue Ridge were not at all happy though they knew of my depression and grief.

Funny (I think it is) story re: them friends, a year after my bum's stagger and dodging in NYC, called me on the telly and asked me how my writing was going (I did then, do still) be a writer somehow:

"Great," I replied, "really great - I write checks and suicide notes but not necessarily in that order."

True dat.


I left for NYC 3 months after the VOICE intervened, January 2nd.


Now. The Edge Man at the cliff knew me intimately since he used the phrase re: "taking a risk, THE risk"which meant and still means much to me.

I had been reading Charles Olson's Maximus Poems for months, trying to ken what indeed he/they were all about but having at it despite befuddlement. I mostly jot down lines and such that rang out or in or sang to me.

One of the first, and fateful, lines that moved me to tears and a kind of shame gethering around me came towards the end of the first Maximus poem. when Olson writes:

"He can take no risk that matters / the risk of beauty most of all"

BAM. Olson has called me out and named the calling, quest for me, take "the risk that then and now matters" - the risk beauty most of all.

So, at the cliff's edge began the stagger, the stall, ever falling forward and, ofttimes, on my face, but toward beauty however that would shake or bake or show in terms of my own writerly and other thralls and palls of it, the "B".


SNIPT TEXTS for CONTEXT

"I am old enough now to realize we are all trying to live sufficiently long to see the self come true. None of us is likely to make it. Therefore we invent selves, we prance and pose and dream and labor, confirming what we might be by what others think we are and by what we see we have been."
- Dave Smith, "A Secret You Can't Break Free

"Humanity, is on the way, always moving towards something. At least, we should be. The classic theological concept for this is 'Homo Viator', or Man on the Way [Man the Flier]. For life is a journey, an adventure that we are always a part of. We do not choose to be on the way, it is our existential situation. We are not at home, we are are on the way home....We long to be at home, in a place of comfort, yet we are not." - Dan Jesse

'"... from swerve of shore to bend of bay, brings us by a commodious vicus of recirculation.... A way a lone a lost a last a loved a long the ' - James Joyce

"We go towards something that is not yet, and we come from something that is no more. We are what we are by what we came from. We have a beginning as we have an end. There was a time that was not our time. We hear of it from those who are older than we; we read about it in history books...It is hard for us to imagine our 'being-no-more.' It is equally difficult to imagine our 'being-not-yet'. " - Paul Tillich

That place among the rocks—Is is a cave,
Or a winding path? The edge is what I have. - Theodore Roethke"

"I have occasionally described my standpoint to my friends as the "narrow ridge,"’ writes Buber. ‘I wanted by this to express that I did not rest on the broad upland of a system that includes a series of sure statements about the absolute, but on a narrow rocky ridge between the gulfs where there is no sureness of expressible knowledge but the certainty of meeting what remains undisclosed.’ (Martin Buber, Between Man and Man, trans. by Ronald Gregor Smith [London: Kegan Paul, 1947] p.184). Perhaps no other phrase so aptly characterizes the quality and significance of Martin Buber’s life and thought as this one of the ‘narrow ridge.’ It expresses not only the ‘holy insecurity’ of his existentialist philosophy but also the ‘I-Thou,’ or dialogical, philosophy which he has formulated as a genuine third alternative to the insistent either-or’s of our age. Buber’s ‘narrow ridge’ is no ‘happy middle’ which ignores the reality of paradox and contradiction in order to escape from the suffering they produce. It is rather a paradoxical unity of what one usually understands only as alternatives -- I and Thou, love and justice, dependence and freedom, the love of God and the fear of God, passion and direction, good and evil, unity and duality." -- from Martin Buber: The Life of Dialogue by Maurice S. Friedman.

"The narrow ridge is the place where I and Thou meet," he [Buber] added. When I asked him to clarify this symbolism to me, he replied...'If you like, you can think of the narrow ridge as a region within yourself where you cannot be touched. Because there you have found yourself: and so you are not vulnerable."


CODA Chinois

I discovered Chinese poets of yore in those mouuts, welcomed me for a while then kicked me OUT. Found a book at the bookstore in Asheville, NC, new, Sunflower Splendor: Three Thousand Years of Chinese Poetry, an anthology of around one thousand Chinese poems translated into English. Thumbed through it, wow wow wow, purchased it though it meant peanut butter sandwiches for the rest of the week, a worthy sacrifice it was, a thick heavy tome carried with me on hikes for dips in, Chinese poets of old to savor and, happily, quickly, paging here and there, one poet, now a thoughtful lifelong companion through all cycles so far lived, Liu Tsung-yuan (773 - 819), became, and still is, for me a human homing-device, an in-the-moment course correction when intercourse with the world, and my pitiable self, was then, and betimes still is (like NOW) just too too much to bear.

In the late '70's old Liu would lift me out of pathetic self muck, gather my scattered bones from the sandy bottom of Scowler's Creek as he, Liu, did the flood scattered bones of old Heng the faithful hired hand whose name means "persevering," and orient p-p-perseverating me toward the western woods,

Feeling Old Age

I've always known that old age would arrive,
and suddenly now I witness its encroach.
This year, luckily, I've not weakened much
but gradually it comes to seek me out.
Teeth scattered, hair grown short,
To run or hurry, I haven't the strength.
So, I cry, what's to be done!
And yet, why should I suffer?
P'eng-tsu and Lao Tzu no more exist',
Chuang Tzu and K'ung Tzu too are gone.
Of those whom the ancients called 'immortal saints'
not one is left today.

I only wish for fine wine
and friends who will often help me pour.
Now that spring is drawing to a close -
and peach and plum produce abundant shade
and the sun lights up the azure sky and
far, far, the homeward goose cries,
I step outside, greeting those I love,
and climb to the western woods with the aid of my staff.

Singing out loud is enough to cheer me up;
the ancient hymns have overtones.



Fragment for old Han Shan whose name is Cold Mountain - 

[Dates of his life are uncertain, anywhere from 5th to 9th century A.D.] 

If stopped and questioned at the Gate to 
Yellow Spring, I'll blame you, old Ghost 
of too many former selves, a meandering 
rumor still muttering the old hymns, who 
grants me permission the entrance to boldly storm. 

Between what these final breaths remain and 
the horizon closing in, my fingers still work. 

On behalf of all sentient beings I will plead 
the case. 

I'll write until the quill is taken from my cold hand.  

Even then I shall be dirty with righteous indigence, 
only the gods to blame - they love a good 
argument anyway. Why should I disappoint? 

In dying I become human through and through 
which comes from doing. 

Be damned and done with mirrors and pockets, 
a man can curse at the end having earned the 
right to do so - 

a wink and a 
grin rehearsed, 
then come the flies. 
Whose hands shall 
shoo them, whose 
hands un-shoe him 
and run quickly 
into day? 

I leave my poems just as they are. 
When I'm gone let the worms correct 
spelling and punctuation. 

Meanwhile beneath willow tips 
I will tease slowly the grasses to laughter 

which is the only horizon I have known. 




Travelin' Shoes - Chambers Brothers: